Urban Nomads: A Reusable Steel Prototype That Turns Construction Site Jugaad into Dignified Worker HousingUrban Nomads: A Reusable Steel Prototype That Turns Construction Site Jugaad into Dignified Worker Housing

Urban Nomads: A Reusable Steel Prototype That Turns Construction Site Jugaad into Dignified Worker Housing

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UNI Editorial published Review under Digital Nomad Housing, Housing Block on

Every tower in a growing city has a shadow settlement at its base: the camp where the people building it actually live. These camps are assembled from leftovers, packed too tightly, and badly ventilated, and they are treated as temporary enough to escape the planning attention that housing normally gets. Urban Nomads starts from that blind spot. It argues that temporary does not have to mean undignified, and it backs the argument with a modular shelter that can follow its occupants from site to site.

The project is by Aniket Risbud and is grounded in surveys carried out across the Mumbai Metropolitan Region. Those surveys found a clear gap. Construction methods in the region have moved forward quickly, while workers' living conditions have barely changed. Risbud's answer is a prototype built on a demountable steel framework. It is meant to be cheap, quick to put up, and made from readily available materials. Just as important, it is shaped by close observation of how workers already adapt the spaces they are given.

Reading the Camp Before Redesigning It

Annotated sketch of a makeshift worker shelter with a bamboo frame, wooden plank bed, brick supports and reused furniture details around it
Annotated sketch of a makeshift worker shelter with a bamboo frame, wooden plank bed, brick supports and reused furniture details around it

The opening sketch documents a makeshift shelter: a bamboo frame, a plank bed raised on bricks, and reused furniture gathered around it. The research is honest about what it found. Workers practise jugaad, the local word for inventive improvisation. Bamboo scaffolding becomes structure, steel rods serve as hangers, broken bricks make a cooking hearth, and fabric sheets act as walls.

Risbud does not treat these fixes as problems to be cleared away. He treats them as a brief. The prototype takes their logic into its own architectural language, so the new shelter feels familiar to the people using it from the first day. That is a shrewd move. Housing imposed on transient workers is often ignored or reworked by them, while housing that grows out of their existing habits is far more likely to be accepted.

A Railway Compartment Logic for a Single Room

Prototype layout drawing set with front and rear elevations, two sections, furniture plan, upper frame plan and roof layout of a small shelter
Prototype layout drawing set with front and rear elevations, two sections, furniture plan, upper frame plan and roof layout of a small shelter

The prototype drawing set includes elevations, two sections, a furniture plan, an upper frame plan and a roof layout. Together they show a small room planned with the tight economy of a train carriage. Risbud names railway compartments and micro-housing as direct references. Bunk beds stack the sleeping space vertically and leave the floor free for daily life, and storage is built into the walls and furniture so belongings do not take over the room.

The design is disciplined by anthropometric studies, which set ceiling heights, seating levels and circulation clearances so the unit works for different ages and genders. The sections matter most here. With so little floor area, comfort depends on how air and light move through a narrow volume, and the project makes cross-ventilation and natural light core objectives rather than optional extras.

One Kit, Five Sites

Comparison chart of drawings showing unit arrangements, elevations and plans for five site constraints, from raised plinth to stacked two-storey units
Comparison chart of drawings showing unit arrangements, elevations and plans for five site constraints, from raised plinth to stacked two-storey units

This comparison chart is the strongest argument for the system. It tests the unit against five site constraints, ranging from a raised plinth to stacked two-storey arrangements, with elevations and plans for each. Construction sites are rarely generous or predictable, so a fixed design would fail almost as soon as it arrived. The chart shows that the same kit of parts can lift off wet ground, pack into a narrow strip, or rise a second level when land is short.

This adaptability comes from three properties built into the steel frame. Units can be stacked for land efficiency, folded for transport and storage, and expanded to house either a single worker or a family. Each unit works independently, yet each is also designed to join a larger cluster. That dual role is what turns a shelter into the seed of a settlement.

Joinery Designed to Be Taken Apart

Presentation sheet with wall section, exploded axonometric of the prototype, joinery details and material studies for a modular worker shelter
Presentation sheet with wall section, exploded axonometric of the prototype, joinery details and material studies for a modular worker shelter

The exploded axonometric, wall section and joinery details explain how a reusable shelter actually holds together. In this kind of project the connections are the architecture. If the joints cannot be assembled quickly by the workers themselves and then taken apart without damage, the promise of reuse falls apart. The sheet's focus on details and material studies shows that Risbud understands this.

The material strategy supports the project's stated goals of shorter construction time and less waste. A frame that moves from one site to the next replaces the usual cycle of building a camp from scrap and then abandoning it. The leftover materials that once defined these camps give way to a system designed to outlast any single project.

From Unit to Neighbourhood: Day Care, Canteen and Clusters

Site plan and section drawings of a labor camp with colored unit clusters, a day care center, a canteen and site photographs
Site plan and section drawings of a labor camp with colored unit clusters, a day care center, a canteen and site photographs

The site plan widens the view from the room to the camp as a whole. Colour-coded clusters of units are grouped around shared facilities, including a day care centre and a canteen, and site photographs anchor the proposal in real conditions. The day care centre is a telling inclusion. Migrant construction work often brings whole families to the site, and a plan that accounts for children recognises the camp as a place people live in, not just a dormitory for labour.

Arranging units in clusters also provides what the bare minimum of shelter cannot: a social structure. Shared spaces become places where residents gather and run their daily routines, and the grouping of units gives a sense of neighbourhood even on land that will be vacated once the building is finished.

Why This Project Matters

Urban Nomads takes on a building type that architecture almost never addresses: housing for the people who build everything else. Its central claim is that impermanence does not excuse poor design, and it makes that claim believable by staying modest. The project uses a steel frame, readily available materials, folding and stacking components, and a room planned around the human body. None of it relies on speculative technology, which makes it look more achievable than many more ambitious housing proposals.

The project's most valuable lesson is methodological. By studying jugaad closely and building it into the design, Risbud treats workers as skilled problem-solvers rather than passive recipients of aid. That respect shapes the outcome: a shelter people are likely to recognise, adapt and accept. For a city that keeps building upward, Urban Nomads makes a clear point. The dignity of a skyline begins with the dignity of the camp at its base.



View the Full Project

About the Designers

Designer: Aniket Risbud

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Project credits: Urban Nomads- Housing for On-site Migrant Construction Workers" by Aniket Risbud.

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