Modern Retail Design Inspired by Traditional Architecture: Aesop Suzhou Cangjie Store by Offhand PracticeModern Retail Design Inspired by Traditional Architecture: Aesop Suzhou Cangjie Store by Offhand Practice

Modern Retail Design Inspired by Traditional Architecture: Aesop Suzhou Cangjie Store by Offhand Practice

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UNI Editorial published Story under Architecture on Nov 19, 2024

The Aesop Suzhou Cangjie Store, located in the historic city of Suzhou, China, is a unique blend of modern retail design and traditional architecture. Designed by Offhand Practice, this 150-square-meter store reimagines the beauty of Jiangnan’s cultural heritage while integrating Aesop’s minimalist aesthetic. Nestled within Cangjie, a district rich in history and charm, the store exemplifies how contemporary spaces can respectfully embrace tradition.

A Dialogue Between Past and Present

Location and Cultural Context

Set in the heart of Suzhou’s historic Cangjie district, the store occupies a restored Qing Dynasty structure known as Phoenix Hall. Surrounded by cobblestone streets and the iconic Xiangmen Wall, the store’s design draws heavily from the Jiangnan region’s architectural and cultural traditions.

Historic Inspiration Meets Modern Functionality

The design concept focuses on integrating modern functionality within the constraints of traditional architecture. Drawing from Jiangnan garden architecture, the space is divided into a central "hall" for communal interaction and surrounding "rooms" for intimate experiences. This layout mirrors traditional spatial divisions while accommodating Aesop’s brand-centric requirements.

Design Features

Architectural Elements

Central "Hall" as a Social Core

The central "hall" is a multifunctional space, housing Aesop's iconic sink for hands-on product experiences. The open layout fosters customer interaction and a sense of ceremony.

Intimate "Rooms" for Personalized Experiences

The surrounding "rooms" offer secluded spaces for fragrance exploration, consultations, and relaxation. Each area is thoughtfully designed to balance privacy and functionality.

Material Palette and Craftsmanship

Silk and Stone Integration

Silk, a hallmark of Suzhou’s heritage, is used in the "shade" structures, replacing traditional wooden frameworks. Stone elements, including the central sink, are inspired by Suzhou garden aesthetics, evoking natural formations and the "stacked mountains and flowing water" philosophy.

Suzhou Embroidery and Antique Furniture

Traditional Suzhou embroidery adorns a modern lantern, creating a poetic interplay of light and shadow. Carefully selected antique furniture reduces reliance on new resources, blending sustainability with heritage.

Spatial Flow and Visitor Experience

Inviting Entrances

The store features six doors along its south-facing façade, encouraging exploration. A secondary gable-wall entrance offers glimpses of a serene garden with swaying trees and flowing water.

Seamless Spatial Hierarchy

Product shelves, integrated into the "shade," align with existing beams and columns to create an organic flow. This arrangement enhances spatial hierarchy and enriches the customer journey.

Sustainability and Heritage

Respect for Local Traditions

By employing traditional materials, techniques, and layouts, the design honors Suzhou’s cultural legacy. Every element, from silk lanterns to antique furniture, connects to Jiangnan traditions.

Commitment to Sustainability

The store emphasizes resourcefulness by repurposing materials and incorporating antique elements. This sustainable approach aligns with Aesop’s philosophy of mindful design.

The Aesop Suzhou Cangjie Store is a testament to the harmonious blending of tradition and modernity. By reinterpreting Jiangnan’s rich cultural heritage through a contemporary lens, Offhand Practice has created a tranquil sanctuary that exemplifies sustainable and thoughtful design. This project sets a benchmark for how retail spaces can honor their historical contexts while offering innovative customer experiences.

All photographs are work of Fangfang Tian 

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