Nova Contemporary Gallery by Skarn Chaiyawat, Bangkok, Thailand
A renovated shophouse gallery blending heritage and modern design, using light, transparency, and spatial variation to create an engaging art experience.
Nova Contemporary Gallery, designed by Skarn Chaiyawat in Bangkok, Thailand, is a nuanced example of adaptive reuse that bridges the city’s historical fabric with contemporary cultural expression. Located in the Samyan district along Si Phraya Road, the project occupies a renovated five-story shophouse composed of two adjoining units, an architectural typology deeply embedded in Bangkok’s urban identity.


Rather than erasing the past, the design embraces it. The architects chose to preserve the existing structural framework and key architectural elements, including terrazzo flooring, railings, and door handles. This decision maintains the memory and character of the original building while allowing new interventions to coexist with the old. The result is a layered spatial experience where history and modernity intersect.


The gallery is organized into two primary zones. The southern side, facing the main road, houses the principal functions such as exhibition spaces, a private viewing room, and offices. The northern side retains the original staircase and accommodates circulation and service areas. This clear zoning enhances functionality while respecting the building’s original layout.

Access to the gallery is deliberately indirect. Visitors enter through a narrow alley, an urban void typical of Bangkok, before arriving at the main entrance. This transitional passage creates a sense of anticipation and grounds the project within its local context, reflecting the informal and layered nature of the city.


A defining feature of the design is the use of polycarbonate sliding panels on the façade. These translucent elements serve multiple roles: they filter natural light, provide ventilation, and act as interactive thresholds. During exhibition openings, the panels open outward like balconies, enabling visual and social connections between different floors. This transforms the building into a dynamic social space, where visitors can engage not only with art but also with one another.

Inside, the gallery spaces are carefully varied to accommodate different types of exhibitions. The ground floor features a dramatic double-height gallery, allowing large-scale artworks to be displayed and transported with ease. A revolving door facing the street functions as both an प्रवेश point and a display window, connecting the interior to the urban environment.

Upper levels offer more controlled environments. On the third floor, a gallery with standard ceiling height and clerestory openings provides soft, diffused light, ideal for sensitive artworks or video installations. This variation in spatial conditions ensures flexibility, enabling the gallery to host a wide range of artistic practices.


Materiality is intentionally restrained. White gypsum walls provide neutral backdrops for artworks, while exposed concrete, glass, and preserved surfaces add texture and depth. The balance between raw and refined elements creates an atmosphere that is both contemporary and rooted in place.


Beyond its architectural qualities, Nova Contemporary Gallery plays a significant cultural role. It serves as a platform for Southeast Asian artists, particularly those from Thailand, while remaining open and accessible to the public. The design reflects this mission by fostering openness, interaction, and engagement with the surrounding community.

Ultimately, the project challenges the notion of the gallery as a purely neutral container. Instead, it presents architecture as an active participant in the experience of art: shaping perception, movement, and social interaction. Through its sensitive approach to context, material, and space, Nova Contemporary Gallery becomes a living extension of Bangkok’s evolving urban and cultural landscape.



All the Photographs are works of DOF Sky|Ground
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