779The House of Music IndonesiaThe House of Music Indonesia bridges the archipelago through a symbolic dialogue of timber and metal, echoing traditional instruments. Timber reflects heritage and cultural memory, while metal represents youth, innovation, and modern expression, creating a dynamic sanctuary where music, craftsmanship, and community unite
7105Maritime and Traditional Shipbuilding Visitor Center in JakartaThis project proposes a visitor center and maritime museum inspired by the cultural and constructive logic of traditional shipbuilding and textile craft. Drawing from the Pinisi boat as a primary reference, the architecture reinterprets the vessel not as a literal form, but as a spatial system of structure, rhythm, and assembly.
291FESTIVAL FACTORYThe project is conceived as a Visitor Center and “Festival Factory” in Jakarta, inspired by the rich festival culture of Indonesia. The concept explores the complete process of festival creation, bringing together spaces for costume production, workshops, rehearsals, exhibitions, and performances within a single architectural complex. The form and materializ
10216Subak Protocol - Flood-Adaptive system for JakartaSubak Protocol is a flood-responsive prototype integrating rice storage, water management, and research. A Subak-inspired landscape collects and redistributes floodwater into tanks, freeing the site from inundation. Labs and educational spaces explore rice reuse and circular systems. The project proposes a scalable model for future flood-adaptive territories
472Indonesian Martial Heritage Center PARANG · KERIS · PENCAK SILATThe project recognizes the need for a contemporary space that reconnects modern urban society with these traditions, transforming cultural heritage from static museum artifacts into active, lived experiences.
255Gamelan Music Visitor CenterThe Gamelan Music Visitor Center explores the connection between music and architecture through rhythm, resonance, and movement. Designed as an extension of sound, the space combines performance, education, and interaction, creating an immersive and collective experience inspired by the atmosphere of gamelan music.
5110harmony of heterogeneityThe Visitor Center for Religions in Jakarta explores how architecture can connect diverse religious identities without erasing their differences. Through ritual simulations, museum exhibitions, and shared spaces linked by movement and water, the project fosters dialogue, understanding, and interfaith tolerance.
12152Nusantara - Volcano & Botanical CenterNusantara Volcano & Botanical Center is an interdisciplinary project that views the volcano as a natural, cultural, and spatial entity. Through architecture, landscape, and educational programs, it connects geology, ecology, and local context, creating a space for research, interaction, and sustainable development.
454PALM TRACE - A Linguistic and Cultural Experience CenterALM TRACE is a cultural and linguistic experience center in Jakarta inspired by Aksara script and lontar manuscripts. The project translates writing into space through movement, layered experiences, palm gardens, workshops, and water infrastructure, celebrating the cultural significance of the palm in Indonesia.
452Start: SenseScapeSenseScape is a visitor centre where Indonesia’s five regions are explored through the five senses. Visitors walk through 25 pavilions, each offering a unique sight, sound, smell, touch, or taste. The platforms and pavilions rise above the water, with a floating market below, turning architecture into a personal journey.
373Wayang: The House of Moving ShadowsA visitor center in Jakarta that reinterprets Indonesian wayang through light, shadow, movement and craft. The project combines exhibitions, workshops, kinetic panels, canvas screens and a natural courtyard to create an interactive cultural space that keeps tradition alive.
9165Spirit LadderAs vernacular architecture is shaped by climatic conditions, the resulting forms often assume a mythical role. Exploring structures from houses to simple altars, the concept of a spirit ladder has been derived. Can the rules established for the movement of supernatural beings also be applied in a modern facility, and what role can they play?
