MADE arhitekti Builds a Timber Office for an IKEA Supplier That Breathes Through Its CeilingMADE arhitekti Builds a Timber Office for an IKEA Supplier That Breathes Through Its Ceiling

MADE arhitekti Builds a Timber Office for an IKEA Supplier That Breathes Through Its Ceiling

UNI Editorial
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AVOTI is one of the largest wooden furniture manufacturers in the Baltics. Its products end up in IKEA stores worldwide. So when the company needed a new office building at its factory complex in Lizums, a small village in Latvia's Vidzeme region, the brief was precise: build it the way we build furniture. Rational, simple, adaptable, assembled from timber, and free of anything unnecessary. MADE arhitekti took that brief literally and delivered a 1,086 square meter structure made almost entirely from glulam beams, CLT panels, and fiberboard, with every surface treated in natural finishes and zero volatile organic compounds.

What makes the AVOTI office genuinely interesting is not just the material palette, which is increasingly common in Nordic and Baltic timber construction, but the way the building's form was shaped by its ventilation strategy. The geometry, the overhangs, the ceiling assembly: all of it is calibrated to a hybrid climate system that introduces fresh air through fiberboard ceilings, pre-warms it in cold months, and eliminates mechanical supply ducts in the office zones entirely. The result won the Latvian Architecture Award in 2023 and earned a nomination for the Mies van der Rohe Award in 2024.

A Factory Building That Reads Like Furniture

Two-storey timber-clad facade with vertical slat screens and white columns behind a bare tree in the plaza
Two-storey timber-clad facade with vertical slat screens and white columns behind a bare tree in the plaza
Timber-clad building reflected in a pond at dusk with birch trees and a red warehouse in the background
Timber-clad building reflected in a pond at dusk with birch trees and a red warehouse in the background

The volume is laconic: 37.7 meters long, 16.7 meters wide, 8.1 meters tall. A clean rectangular bar clad in vertical timber slats, lifted on white columns, sitting at the entrance road to the factory so that every arriving truck driver, employee, or visitor sees it first. The placement is deliberate. In a complex of industrial sheds and red warehouses, the office building acts as a contemporary accent, signaling that this is a company that thinks seriously about how things are made.

The dusk view across the pond captures this contrast perfectly: birch trees, an old red warehouse, and then this quiet timber box reflected in the water. It does not shout. It simply looks like it belongs in a landscape shaped by wood production.

Two Entrances, Two Worlds

View through open double doors into a cafeteria with rows of green chairs under exposed timber ceiling beams
View through open double doors into a cafeteria with rows of green chairs under exposed timber ceiling beams
Cafeteria with green chairs and tables under timber ceiling beams beside a glazed wall overlooking the lawn
Cafeteria with green chairs and tables under timber ceiling beams beside a glazed wall overlooking the lawn

The building combines administrative offices, a canteen, meeting rooms, and representative spaces under one roof, but MADE arhitekti split the circulation into two separate entrance sequences. Office workers enter on one side. Factory employees, who come in during lunch shifts by the hundreds, enter on the other. The flows never cross. This is a smart piece of spatial programming for a building that has to serve both a corporate function and a daily social one.

The canteen itself is generous and warm. Rows of green chairs sit beneath exposed glulam beams, with full-height glazing opening onto the lawn. It reads less like an industrial cafeteria and more like a well-designed restaurant. When you are feeding hundreds of workers in multiple shifts, the quality of that space matters enormously for morale and retention, particularly in a rural setting where the building is one of the few communal gathering points.

Timber Structure as Climate Machine

Open-plan office with timber shelving units and polished concrete floor under a slatted timber ceiling
Open-plan office with timber shelving units and polished concrete floor under a slatted timber ceiling
Workspace framed by teal columns with whitewashed timber walls and light oak built-in cabinetry
Workspace framed by teal columns with whitewashed timber walls and light oak built-in cabinetry

The structural logic is a glulam post-and-beam system with relatively close column spacing, which allows the beams and columns to remain slender rather than bulky. CLT panels handle the internal walls and cores, providing the global stability that the frame alone cannot deliver. A thin CLT layer on the floor supports a floating concrete slab on top: the polished concrete you see in the offices is actually riding on timber.

The real innovation is in the ceiling. Office spaces use a hybrid ventilation system: mechanical exhaust pulls stale air out, but fresh air enters through manually operated vents above the fiberboard ceiling panels. In winter, incoming cold air warms in the ceiling cavity before it filters down evenly through the fiberboard, mixing with the warm room air below. No ducts. No drafts. Users control the air supply in each office individually. A modest heat pump handles the rest, and the building maintains what the architects describe as an excellent indoor climate year-round. The overhangs on the east, south, and west facades block direct summer sun, completing a passive strategy that reduces operational costs to a minimum.

Interior Detail and Material Honesty

Interior corridor with timber cabinetry and a wall-mounted lamp beside small tables and folding chairs
Interior corridor with timber cabinetry and a wall-mounted lamp beside small tables and folding chairs
Office interior with exposed concrete ceiling, teal steel columns, and polished concrete floor opening to a garden
Office interior with exposed concrete ceiling, teal steel columns, and polished concrete floor opening to a garden

Inside, the palette stays tight: light oak built-in cabinetry, whitewashed timber walls, polished concrete floors, and teal steel columns that add a subtle punch of color without overwhelming the warmth of the wood. The corridor spaces feel considered rather than leftover, with wall-mounted lamps, small tables, and folding chairs that turn a hallway into a usable zone. Everything is treated with natural finishes. The absence of synthetic coatings means the air quality matches the ventilation strategy: clean.

The upper-level offices open toward the garden through floor-to-ceiling glazing, framed by those teal columns. The exposed concrete ceiling in some zones suggests that the architects were not dogmatic about an all-timber aesthetic. They used each material where it performed best, which is exactly the kind of pragmatism the client's furniture philosophy demands.

Why This Project Matters

The AVOTI office demonstrates that sustainable timber construction does not need to be a showcase building in a capital city to achieve real architectural ambition. Placed in a rural Latvian factory complex, serving canteen lunches alongside board meetings, it does the hard work of combining bioclimatic engineering with clear spatial programming and honest material expression. The ventilation system alone, which uses the ceiling assembly as a passive air distribution network, is a strategy worth studying and replicating.

More broadly, the project makes a case for clients as design partners. AVOTI builds furniture for IKEA. They understand assembly logic, material economy, and adaptability at an industrial scale. MADE arhitekti channeled that understanding into a building that feels like a well-made piece of furniture: nothing extra, nothing missing, and built to be reconfigured when the company's needs change. That alignment between client culture and architectural method is rare, and it shows in every detail.


AVOTI Timber Office Building, designed by MADE arhitekti. Lizums, Latvia. 1,086 m². Completed 2023. Photography by Ansis Starks.


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