Contexto Arquitectos Wraps a Row of Avándaro Forest Houses in Kiln-Dried Oyamel TimberContexto Arquitectos Wraps a Row of Avándaro Forest Houses in Kiln-Dried Oyamel Timber

Contexto Arquitectos Wraps a Row of Avándaro Forest Houses in Kiln-Dried Oyamel Timber

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Avándaro sells itself on the forest. Weekend visitors come for the pines, the trails and the ecotourism that has made it one of Mexico's most visited getaway areas. That puts any developer building there in an awkward spot: the more houses you build, the more you erode the thing people came for. Bosque Alto, a 2,464 m² residential development by Contexto Arquitectos with Luis Alarcón as lead architect, completed in 2018, takes that tension on directly. Its stated ambition is coexistence with nature, a phrase that usually means very little until you look at how a plan actually behaves.

In this case the phrase holds up better than most. Each house is broken into a set of volumes rather than a single block, and those volumes are organized into three zones: a common zone of kitchen, dining and living facing a large terrace, a private zone, and a third zone of service and arrival. Facades are clad in kiln-dried oyamel, a local fir chosen to handle the weather of every season, and terraces are paved in piedra arqueológica. What interests us is less the material palette than the decision to treat the terrace, not the living room, as the center of each house.

Volumes Placed Among the Pines

Two-storey concrete volumes with timber slat panels lit by ground spotlights on a lawn among pines at dusk
Two-storey concrete volumes with timber slat panels lit by ground spotlights on a lawn among pines at dusk
Rear facade with timber-lined canopies, stone wall and glazed lounge opening onto a lawn with loungers under pine shade
Rear facade with timber-lined canopies, stone wall and glazed lounge opening onto a lawn with loungers under pine shade

At dusk the houses read as a cluster of separate pieces: two-storey solid volumes with timber slat panels, lit from the ground so the pines and the buildings share the same light. Splitting the program into parts lets the trees sit between masses instead of being cleared for one large footprint. You see the forest through the gaps in the building as much as around it.

The rear facade makes the relationship plainer. Timber-lined canopies project over a glazed lounge, a stone wall anchors one end, and the lawn runs straight up to the glass. Loungers sit in pine shade rather than under a built pergola, a small but telling choice: the architects let existing trees do the job a roof would normally do.

Arrival, Stair and Slatted Corridors

Entry hall with black steel stair, timber lattice base and flagstone floor beside a framed artwork on a grey wall
Entry hall with black steel stair, timber lattice base and flagstone floor beside a framed artwork on a grey wall
Corridor lined with vertical timber slats framing pine trees outside, with a colorful painting on the far wall in daylight
Corridor lined with vertical timber slats framing pine trees outside, with a colorful painting on the far wall in daylight

The entry hall is compact and darker than the rest of the house, with a black steel stair rising from a timber lattice base over a flagstone floor. It works as a pause before the house opens up. The steel and stone are the heavier materials here, and they keep the timber from becoming a theme-park cabin aesthetic.

The corridor is where the oyamel does its most precise work. Vertical slats line the passage and frame tree trunks outside, so moving through the house becomes a sequence of filtered views rather than a walk past solid walls. It is a cheap and effective way to keep circulation spaces connected to the forest without turning them into glass boxes.

The Common Zone: Kitchen and Living

Kitchen with concrete and timber-clad islands, dark stone counters and steel stair behind, lit by a clerestory band
Kitchen with concrete and timber-clad islands, dark stone counters and steel stair behind, lit by a clerestory band
Living area with a grey sofa and teal cushions against reclaimed timber wall panels, with the kitchen beyond
Living area with a grey sofa and teal cushions against reclaimed timber wall panels, with the kitchen beyond

The kitchen is the busiest room in the house and the architects treat it as such: concrete and timber-clad islands, dark stone counters, and a clerestory band that brings light down from above rather than through a full-height window. The steel stair stays visible behind, which keeps the vertical connection legible from the room where people actually spend their time.

The living area is simpler, a grey sofa set against timber wall panels with the kitchen continuing beyond. There is no wall separating cooking from sitting, which matches the plan's logic of a single common zone. The interiors are not inventive in the way the plan is, but they are disciplined, and they let the terrace beyond carry the weight.

Terraces, Pool and the Outdoor Room

Outdoor dining table with black chairs and umbrella near an infinity pool, pine trunks reflected in the glossy tabletop
Outdoor dining table with black chairs and umbrella near an infinity pool, pine trunks reflected in the glossy tabletop
Dusk view of the infinity pool with blue mosaic tile edge in front of the glowing timber-roofed terrace and pines
Dusk view of the infinity pool with blue mosaic tile edge in front of the glowing timber-roofed terrace and pines
Paved patio with a round teak table and wicker chairs beside the glazed pavilion and stone-clad wall at twilight
Paved patio with a round teak table and wicker chairs beside the glazed pavilion and stone-clad wall at twilight

This is the real living room of Bosque Alto. An outdoor dining table sits beside an infinity pool, pine trunks reflected in its glossy top, and the pool's blue mosaic edge glows against the timber-roofed terrace at dusk. The terrace is where the three zones of the house meet the forest, and it is sized accordingly.

A paved patio with a round teak table sits against the glazed pavilion and a stone-clad wall, giving the outdoor space its own sub-areas. The stone paving matters here: a terrace floor that weathers alongside the timber facades keeps the outdoor rooms from looking like an add-on. In a climate where you want to be outside for much of the year, that continuity is the project's most useful move.

Plans and Drawings

Site roof plan drawing showing the overlapping rectangular roofs, pool and garden within the angled lot, with section lines A and B
Site roof plan drawing showing the overlapping rectangular roofs, pool and garden within the angled lot, with section lines A and B
Ground floor plan drawing showing lobby, kitchen, dining and living rooms, terrace, pool, bedrooms and garage laid out along a narrow site
Ground floor plan drawing showing lobby, kitchen, dining and living rooms, terrace, pool, bedrooms and garage laid out along a narrow site
Upper floor plan drawing showing a bedroom and bathroom volume, roof outlines and the surrounding garden on a long sloping lot
Upper floor plan drawing showing a bedroom and bathroom volume, roof outlines and the surrounding garden on a long sloping lot

The roof plan shows the clearest idea in the scheme: overlapping rectangular roofs on an angled lot, each covering a distinct volume, with the pool and garden slipped between them. The ground floor plan lays the lobby, kitchen, dining, living, terrace, pool, bedrooms and garage along a narrow site, while the upper floor holds a single bedroom and bathroom volume. Most of the house stays on one level and close to the ground.

Long site elevation drawing showing a row of stepped glazed houses along a sloping landscape with scattered trees and figures
Long site elevation drawing showing a row of stepped glazed houses along a sloping landscape with scattered trees and figures
Front elevation drawing of a long glazed pavilion with a rooftop box, balcony railing and garage door, set among two pine trees
Front elevation drawing of a long glazed pavilion with a rooftop box, balcony railing and garage door, set among two pine trees
Side elevation drawing showing white volumes, a tilted roof plane and a glazed sliding wall beside a parked jeep and pine trees
Side elevation drawing showing white volumes, a tilted roof plane and a glazed sliding wall beside a parked jeep and pine trees

The long site elevation is the drawing to study. It shows the houses as a stepped row following the slope, scattered trees left between them, which is how a development of this size avoids reading as a wall. The front and side elevations show the individual house as a long glazed pavilion with a rooftop box and a tilted roof plane.

Longitudinal section drawing cutting through a two-level house, interior stair and glazed living space, with figures and pines behind
Longitudinal section drawing cutting through a two-level house, interior stair and glazed living space, with figures and pines behind
Cross section drawing of a single-story house with a sloped clerestory roof, kitchen island and a sunken pool beside a pine tree
Cross section drawing of a single-story house with a sloped clerestory roof, kitchen island and a sunken pool beside a pine tree

The sections confirm what the interiors suggest. The longitudinal cut moves through the two-level portion and the interior stair into the glazed living space, while the cross section shows the sloped clerestory roof over the kitchen island and the sunken pool beside a pine. Light enters from above, views run outward at ground level, and the tree is drawn as part of the section rather than as background.

Why This Project Matters

Holiday developments in forested areas tend to fall into two traps: generic suburban boxes that ignore the setting, or rustic pastiche that mistakes log walls for environmental sensitivity. Bosque Alto avoids both. By breaking each house into volumes, stepping the row along the slope and keeping most of the program on the ground, Contexto Arquitectos let the pines stay in the picture at every scale, from the site elevation down to the corridor slats.

The lesson for anyone designing second homes in sensitive landscapes is that coexistence with nature is a planning question before it is a material one. Oyamel cladding and stone terraces help, but the real work happens in where the gaps go, how the terrace is sized and how far the house is allowed to rise. We would like to see more developers in tourist landscapes start from that question.


Bosque Alto by Contexto Arquitectos (lead architect Luis Alarcón). Location: Avándaro, Mexico. Area: 2,464 m². Year: 2018. Photography: Paola Migoya.


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