Studio Whispace Turns a School Chicken Coop into an Ohm-Shaped Outdoor Classroom in Taiwan
A 29-square-meter curved enclosure at Nanheps Elementary School in Miaoli County connects hens, herbs, and compost into one learning ecosystem.
Louis Kahn once described the origin of school as a conversation between a teacher and students under a tree. Studio Whispace + Architects took that idea almost literally when they redesigned the chicken coop at Nanheps Elementary School in Miaoli County, Taiwan. The previous setup was a makeshift enclosure shoved into a forgotten corner, hemmed in by abandoned concrete and messy compost piles. Students avoided it. The architects pulled the entire program out from hiding and placed it beneath the canopy of an existing Taiwanese rain tree, reshaping a utilitarian pen into a piece of landscape infrastructure that organizes food education, ecological observation, and daily animal care into a single 29.2-square-meter intervention.
What makes the project genuinely interesting is not its size but its legibility. The plan takes the shape of the Greek letter Omega (Ω), a continuous curve of white metal fence that creates a concave enclosure linking three distinct zones: a chicken coop, a four-compartment composting station, and an herb garden planted with rosemary and sage. The Ohm form is not arbitrary decoration; it stitches together pre-existing site elements, the rain tree, the school's food garden, and the compost area, into a single readable circuit that children can walk, touch, and learn from every day.
The Curved Fence as Spatial Interface



The white metal mesh fence does most of the architectural work here. It is not a wall that separates; it is an interface that mediates. The gentle curvature produces a concave form that draws the schoolyard inward, inviting children to approach rather than retreat. Signage panels and wildflower plantings along the base reinforce the idea that this boundary is also a teaching surface. Name tags for the hens, feeding stations, and egg racks are all integrated into the fence line, turning routine animal care into participatory ritual.
The choice of white finish is worth noting in context. Against the lush green canopy of the Taiwanese rain tree and the gravel courtyard, the fence reads as a clear, lightweight insertion. It announces itself without competing with the landscape, an important quality in a school that grounds its curriculum in agricultural cycles and seasonal change.
Living Under the Rain Tree


Relocating the coop beneath the Taiwanese rain tree was a strategic move that solved multiple problems at once. The tree provides natural shade, reducing solar heat gain on the enclosure and keeping the hens comfortable without mechanical cooling. It also gives the project a visual anchor, a towering canopy that frames the low, curving fence below and connects it to the broader schoolyard. Previously, the tree's visual openness had been obstructed by clutter; clearing and reorganizing the surrounding ground plane restored it as a legible site element.
Circular concrete pads and planted beds are arranged beneath the canopy in a casual geometry that encourages lingering. The gravel surface between them is permeable and easy to maintain, qualities that matter when children are responsible for weekly cleaning. The site strategy here is essentially one of subtraction: remove the concrete debris, flatten the ground, and let the tree do what it was already doing.
Inside the Coop: Comfort for Hens and Children


The interior of the coop demonstrates that even at 29 square meters, careful detailing pays off. A polycarbonate roof admits diffused daylight while shedding rain, and the sand floor gives the retired laying hens a surface they can scratch and dust-bathe in. Elevated timber nesting boxes are paired with round white stools that double as perches and playful visual punctuation. The scale of everything is deliberately low, sized for children as much as for chickens, so that a seven-year-old can reach the egg rack or refill a water trough without adult assistance.
Sunshade canopies serve a dual purpose that extends the project's hours of use. During the day they protect the hens from excessive sunlight; in the evening they shelter the school's nighttime light club, transforming an agricultural enclosure into a gathering space. Indirect local lighting was specified to avoid disturbing the ecological rhythms of the surrounding environment, a small but considered detail that reflects the architects' commitment to the site's biodiversity.
Gravel, Concrete, and the Groundplane


The project's material palette is deliberately restrained: white metal mesh, poured concrete plinths, gravel, and timber. There is no hero material here, and that is the point. The restraint keeps the focus on the living components, the hens, the herbs, the compost, and the tree, rather than on the architecture itself. Concrete walls and plinths define edges and contain the gravel, but they recede visually behind the activity they support.
A roaming hen on a gravel surface, framed by low concrete walls and mesh fencing, is perhaps the most honest image of what this project delivers. It is not a pavilion or a monument. It is a piece of ground made legible, organized, and generous enough that a chicken and a child can both use it comfortably.
Plans and Drawings


The section drawing reveals the project's three-zone logic with clarity. The chicken coop, feeding areas, and composting compartments are laid out along the curved fence line, with figures and trees drawn to scale. The labeled zones show how the Ohm shape creates distinct pockets of activity while maintaining visual and physical continuity. Four composting compartments, each with observation holes, appear as a sequence along one arm of the curve, turning waste decomposition into a visible, trackable process. The drawing also makes clear how the canopy of the rain tree acts as the project's primary roof, with built canopies intervening only where additional weather protection is needed.
Why This Project Matters
Project Ohm Ω is useful because it refuses to treat educational architecture as a question of buildings. At under 30 square meters, it has no interior in the traditional sense, no HVAC system, no elaborate structural gymnastics. What it does have is a legible spatial idea, an Omega-shaped curve, that organizes existing site assets into a coherent pedagogical sequence. The design transforms student behavior not through novelty but through accessibility: move the chickens out of hiding, give children the tools to care for them, and make the whole operation visible from the schoolyard.
For a profession that too often equates impact with scale, this project offers a corrective. Studio Whispace demonstrates that a well-placed fence, a cleared ground plane, and a respectful relationship with an existing tree can produce architecture that changes how a school thinks about food, waste, and ecology. That is a lot of work for a chicken coop, and that is exactly why it deserves attention.
Project Ohm Ω, designed by Studio Whispace + Architects. Located at Nanheps Elementary School, Miaoli County, Taiwan. Area: 29.2 square meters. Completed in 2022. Photography by Yuchen Chao Photography.
About the Studio
Share Your Own Work on uni.xyz
If projects like this are the kind of work you want to make, uni.xyz is a place to publish your own, find collaborators, and enter design competitions.
Popular Articles
Popular articles from the community
The Amber Palace Opera: A Geological Fiction Surfaces on Tallinn's Baltic Waterfront
Pierre Brillard reimagines a Baltic legend as a public landscape, opera house, and waterfront promenade rooted in Tallinn's coastal identity.
Singing Woman: Contemporary Architecture Inspired by Estonia’s Voice and the Sea
Singing Woman turns Estonia’s song culture into flowing opera house architecture, blending public life, landscape, sea, and national memory.
Extended Shell: Retrofitting Kolkata's Balconies as Living Urban Thresholds
A modular retrofit system recovers the social and environmental intelligence of Kolkata's historic verandas for contemporary Park Street residents.
Cloaked Colonization: A Mobile Underwater Habitat That Moves Like a Fish
Micah Abaya's shortlisted EHC Pacific entry reimagines ocean settlement as a dispersed network of self-sustaining architectural organisms.
Similar Reads
You might also enjoy these articles
Hodi-Mandai Geram
Project Function: Preservation and revitalization of the Intangible heritage and socio-spatial identity of the Hodi by Housing, Cultural Memory Center, Sacred Grove, landscape, local tourism economy
Olio Towers: A Mid-Rise for Performers That Fuses Housing, Rehearsal, and Stage
Located blocks from Houston's Theater District, this modular tower stacks living units around a central performance atrium.
Oasis: Modular Green Housing Carved into Dhaka's Urban Fabric
A shortlisted Plugin Housing entry reclaims unauthorized settlements in Dhaka with stepped concrete volumes, green roofs, and ventilation-driven design.
Black Hole: A Floating Megastructure for the Post-Physical Era
Emiliano Mazzarotto envisions a spherical, self-scaling arena where e-sports, digital hotels, and holographic stadiums replace traditional public space.
Explore Educational Building Competitions
Discover active competitions in this discipline
Challenge to design public laboratory
Challenge to reimagine the Iron Throne
Photograph architecture without architects
Illustrate the lost glory of Angkor Wat - Render Challenge
Comments (0)
Please login or sign up to add comments
No comments yet. Be the first to comment!