MACh Architects and Connatural Build a Park-Territory to Help Córrego do Feijão Stay Rooted After the Dam Collapse
In Córrego do Feijão, Brazil, a slatted lookout tower, brick halls and stone gardens give a community scarred by disaster a reason to remain.
Some public space projects start with a brief about amenity. Território-Parque, or Territory-Park, starts with a harder question: how do you persuade people to stay in a place that has been badly damaged? Córrego do Feijão, a small rural community in the state of Minas Gerais, was the community most affected by the January 2019 dam collapse. Brazilian studio MACh Architects, led by Fernando Maculan and Mariza Machado Coelho, worked with Colombian practice Connatural, led by Edgar Mazo and Sebastián Mejía. Their brief was to rebuild the urban, architectural and landscape conditions that would let residents remain and reconnect with their origins and history.
The result does not read as a memorial, and it does not read as a masterplan imposed from outside. It reads as a set of modest, carefully made pieces placed into the existing village fabric: a slatted lookout tower, perforated brick pavilions, timber pergolas, stone benches, grass mounds and learning halls. For us, the interesting part is that restraint. The project treats repair as a spatial practice that can be built in increments, with materials the town already recognizes and a scale it can absorb.
Working Inside the Village, Not Beside It






The aerials make the strategy clear. Red tile roofs, a curving road and forested hills set the frame, and the new interventions sit inside that frame rather than competing with it. There is no plaza scraped clean and no landmark building announcing a new era. The square, the street-side garden and the pergola all thread into gaps the town already had.
This matters for a community whose relationship to its territory has been disrupted. Continuity is the point. When you see the circular stone paving next to ordinary tiled houses, the new work reads as if the village had simply finished a sentence it started long ago.
A Tower That Lets You Read the Land





The cylindrical lookout tower is the one vertical gesture, and it is a smart one. It is built from weathered steel posts and vertical slats wrapped around a spiral stair. Climbing vines already soften its edges, so it behaves less like an object and more like a trellis that happens to carry people upward.
From the top, residents can see the valley that has defined their lives. That is a quietly political act: it restores a vantage point over the territory. At ground level, concentric timber slats ring a bare tree over irregular stone. The tower's language returns to the ground as a pattern you can sit on and walk across.
Brick Lattice Halls for Eating Together






The communal dining pavilion is where the project's social ambition becomes visible. Perforated terracotta brick walls and pivoting timber slat doors swing open to the garden. The long tables and bentwood chairs inside then become an extension of the public realm. At dusk, the lattice glows from within and turns the building into a lantern for the street.
The market hall uses the same palette of exposed brick and timber beams, but with a working character. These are not precious interiors. They are rooms designed for routine: selling, cooking and gathering. Routine is exactly what a displaced or grieving community needs to rebuild.
Screens, Pergolas and Filtered Shade






Much of the project's atmosphere comes from layered thresholds. Freestanding brick screens catch diagonal tree shadows. Timber pergolas on slim steel posts throw striped shade across benches. A narrow passage pairs a rammed earth wall with dark steel cladding. Each element filters light and view without closing anything off.
The material vocabulary of wood, steel, brick, earth and stone stays tightly controlled. That discipline keeps the separate pieces legible as a single project, even when they are scattered across different plots. Even the service elements, such as a rust-coloured steel garage door under a stone-banded beam, are handled with the same care as the pavilions.
Rooms for Learning and Deliberation






The halls with lime green chairs, coffered ceilings, projectors and computer desks hint at a programme beyond leisure. These are spaces for training, meetings and the slow work of collective decision-making. One covered hall faces a stepped stone amphitheatre, and an open-sided version sits under a green roof planted with agave.
We like that these rooms keep looking outward. Glass walls frame planted courtyards, and screened garden walls replace blank partitions. Rubble stone surfaces sit beside rust-toned steel panels. Learning here happens in visual contact with the landscape the community is trying to reclaim.
Ground You Can Sit On, Play On and Climb






The landscape work, developed with FLP Paisagismo, is resolutely tactile. Curved stone benches wrap tree trunks. Flagstones sit in grass joints that let water and growth through. Grass mounds give children something to run up and roll down, and a log play structure and timber swing frame make play part of the civic programme rather than an afterthought.
Wide stone steps with rubble retaining walls handle the hillside's level changes without heavy engineering. Photographs of a dog wandering across the paving and children sprinting toward the pergola are telling. These spaces are already being used the way village ground should be: casually, daily, by everyone.
Plans and Drawings

























The drawing set reaches well beyond what the photographs show. It includes walled garden courts, a looping hillside path, circular pools with rippled floors, a curved-wall bathhouse, tiered seating, elevated boardwalks and a steel viewing platform in the forest. Read together, the drawings describe a territorial framework, a network of places spread across slopes and valleys rather than a single park.
The three-stage axonometric is especially revealing. Stone basins and mounds appear first, then fill with water, then disappear under dense tropical planting. It frames the architecture as a starting condition that ecology will take over, which is a fitting attitude for a landscape that needs time to recover.
Why This Project Matters
Post-disaster architecture often swings between two failures: temporary shelter that never becomes permanent, or monuments that freeze a community in its worst moment. Território-Parque avoids both. It invests in ordinary civic infrastructure, such as places to eat, learn, gather, play and look out over the land, and it builds them with enough material quality to signal that this place has a future.
The broader lesson is about scale and authorship. MACh Architects and Connatural worked with a wide team, including Lire Arquitetura e Restauração on restoration, Inovativo Soluções Sustentáveis on sanitation and Ataíea Lighting Design on lighting. Together they produced something that feels incremental and owned rather than delivered. If you are designing for communities under strain, this is a model worth studying: small pieces, a disciplined palette and a framework the landscape can grow into.
Territory-Park (Território-Parque) by MACh Architects and Connatural, Córrego do Feijão, Brazil, 2019. Photography by Leonardo Finotti.
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