Public Architecture and Design Extend UBC's Biodiversity Centre with a Brick Wing around a Garden Courtyard
On Vancouver's Point Grey campus, a pale brick addition gives researchers labs, collections and classrooms that open onto a planted courtyard.
The University of British Columbia has expanded the Beaty Biodiversity Centre on its Point Grey campus in Vancouver with a 4,428 m² addition of research space, offices and collections. The design is by Public Architecture and Design, led by Martina Caniglia, Shane O'Neill, Brian Wakelin and Yiyi Zhou. It sits along Main Mall, the university's central spine, where most people will pass it on a bike or on foot before they ever go inside.
The addition does not try to be an icon, and that is the interesting part. It puts a glazed, almost transparent ground floor under a disciplined body of pale brick and tall window slots, then turns its back half toward a planted courtyard by hapa Collaborative. The result reads less like a lab block and more like campus infrastructure for paying attention: to trees, to specimens, and to the path that runs past the front door.
A Quiet Frontage on Main Mall





Seen from the mall, the building lets the mature oaks and maples do most of the talking. The ground floor is a low band of glass behind slim columns and stone piers, capped by a thin roof edge that barely registers against the canopy. The taller volume steps back behind it, so the pedestrian experience is set by the trees and the glazing, not by the mass.
A mesh canopy on concrete columns runs along the edge and makes a covered walkway between the building and the grass. It is a modest move, but on a campus where it rains for much of the year, a dry edge where you can pause matters more than any gesture on the skyline.
Brick, Slots and a Vertical Rhythm





Above the glass base, the facade turns to white and grey brick broken by tall slots of blue-tinted glazing. The vertical rhythm reads well against the tree trunks, and in direct sun the branch shadows travel across the piers. The facade works with what is growing around it rather than competing with it.
At the entrances the language gets more technical, with louvered metal panels, glass doors and a perforated canopy. We think this is the right place to switch registers: the brick stays calm, and the hardware of arrival is kept light and readable at hand height.
The Garden Side





Behind the public face, the building changes character. Banded masonry and dark ribbon windows sit over beds of flowering perennials, foxglove and young trees, with a gravel path along the rear. The planting is dense and slightly unruly, which suits a centre devoted to biodiversity far better than lawn would.
A metal mesh screen and a sloped canopy define the edges of this outdoor room. The yellow chair and the seated figures in these views suggest the space is meant for use, not just for looking at from a lab window.
Moving Through the Courtyard



A steel stair rises through ferns, boulders and young trees between the mesh-clad and brick facades. It may be the best moment in the project: vertical circulation is pushed outside into the planting, so going up a floor means passing through the landscape the building studies.
A slatted canopy links two brick wings with a covered passage, and benches and tables sit in the shade at the base. These are small, generous spaces that let researchers and students spend unplanned time outdoors, which is where much of the informal exchange on a research campus happens.
Classrooms That Open to the Lawn


The teaching rooms pair long tables and green chairs with a timber slat ceiling and linear lighting. The strongest detail is the glass door opening straight onto the lawn. A class can spill outside without a corridor in between, and in a building about living systems, that direct link makes sense.
Labs and Collections


In the laboratory, black-topped benches, a microscope and shell specimens sit in front of a courtyard window, so close study happens with a view of something alive. The collections store is more frankly utilitarian: mobile white cabinets, exposed ductwork and taxidermy bears in the aisles.
That contrast is honest. The collection is the reason the building exists, and the store looks like a working archive rather than a display. The architects saved the polish for the rooms where people spend their days.
Stairs, Nooks and Desks



Inside, an exposed concrete stair with glass balustrades connects the floors and looks into glazed meeting rooms, so movement and conversation stay visible to each other. A corridor nook with a single lounge chair faces a narrow planted courtyard, a small and humane gesture that many research buildings leave out.
The offices are plain: two desks, acoustic tile ceilings, and a window framing a tree and the courtyard stair. The views do the work the finishes do not, which fits the project's general economy.
Plans and Drawings


The ground floor plan shows the wing set beside a curving landscaped courtyard, with a sweeping path weaving between tree canopies. The upper floor resolves into an L-shaped band of rooms and stairs around an open void, with tree outlines to the south. Together they confirm what the photographs suggest: the building is laid out around retained trees and planted ground.
Why This Project Matters
Campus research buildings often swing between sealed boxes and expressive objects. This addition takes a third route. It gives scientists serious space for labs, offices and collections, and it spends its design effort on edges, thresholds and the courtyard between them. The architecture recedes so the trees, the mall and the planting stay in the foreground.
For a centre devoted to biodiversity, that restraint carries meaning. The building shows that the program can shape the experience without a single signature gesture: an outdoor stair through ferns, a classroom door onto the lawn, a chair facing a window. You notice it the way you notice a good landscape, gradually and through use.
UBC Biodiversity Centre Addition by Public Architecture and Design. Location: Vancouver, Canada. Area: 4,428 m². Year: 2025. Photography: Andrew Latreille.
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