Story Architecture Wraps a Multigenerational Villa Around a Pool in VietnamStory Architecture Wraps a Multigenerational Villa Around a Pool in Vietnam

Story Architecture Wraps a Multigenerational Villa Around a Pool in Vietnam

UNI Editorial
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A house for three generations poses one of architecture's oldest tensions: how do you give everyone room to breathe without letting the family drift apart? Story Architecture, led by Nguyễn Kava, answers with Villa Connect, a 525 m² residence in Binh Duong Province near Ho Chi Minh City. The house wraps its two main wings into an L-shape that hugs a swimming pool, turning water and landscape into a shared middle ground that every room can see but no room is forced to face.

What makes the project genuinely compelling is its insistence on calibrated separation. Bedrooms share no walls. Skylights above the stairwell let daylight pass between floors without sacrificing visual privacy. Rooms open in multiple directions, so cross-ventilation and outlook are never hostage to a single orientation. The result is a house that reads as a stack of white volumes from the street yet functions, once you step inside, as a loose constellation of private retreats orbiting a common landscape.

Street Presence: White Volumes and Vertical Screens

Street view of white facade with stacked planted terraces behind vertical slat boundary wall
Street view of white facade with stacked planted terraces behind vertical slat boundary wall
White stucco facade with framed cutout terraces holding trees against a clear blue sky
White stucco facade with framed cutout terraces holding trees against a clear blue sky
Corner view of the stepped white volumes with planted balconies and perimeter fence
Corner view of the stepped white volumes with planted balconies and perimeter fence

From the street, Villa Connect presents itself as a cluster of stacked white boxes. Each volume is slightly offset from the next, and deep recesses carve out space for planter boxes and mature trees. A vertical slatted fence runs along the perimeter, filtering views in and out rather than blocking them entirely. The composition is deliberate: dense masonry alternating with planted voids, so the facade reads less like a wall and more like a sectioned garden turned on its side.

The planting is not decorative afterthought. Trees at multiple levels soften the mass and give the elevation a living texture that shifts with the seasons. It is a practical move as much as an aesthetic one, shading west-facing surfaces and reducing heat gain in Vietnam's tropical climate.

The Pool as Organizing Spine

Aerial view showing the swimming pool surrounded by paved courtyard and planted terraces
Aerial view showing the swimming pool surrounded by paved courtyard and planted terraces
Rear garden elevation showing stepped terraces with trailing plants and paved courtyard below
Rear garden elevation showing stepped terraces with trailing plants and paved courtyard below
Stacked white volumes with recessed planter boxes framing a tree against a clear blue sky
Stacked white volumes with recessed planter boxes framing a tree against a clear blue sky

Set back from the road, the building mass wraps around a swimming pool that occupies the inner crook of the L. The aerial view makes the logic plain: living spaces on the ground floor open directly onto a paved courtyard and pool deck, while upper-level bedrooms look down onto the water from planted terraces. Every wing of the house has a stake in this central landscape, which means the pool works less as a luxury amenity and more as the family's communal living room, albeit one without a roof.

By pulling the block far from the street edge, Story Architecture gains a generous buffer zone that doubles as garden. The spatial payoff is significant: rooms face inward toward controlled greenery rather than outward toward neighbors, giving each opening a considered view.

Ground Floor: Kitchen, Dining, and the Threshold to Outdoors

Open kitchen and dining area with marble island and perforated screen bringing daylight from above
Open kitchen and dining area with marble island and perforated screen bringing daylight from above
Open dining area with floor-to-ceiling glass doors connecting to a covered poolside terrace with slatted pergola
Open dining area with floor-to-ceiling glass doors connecting to a covered poolside terrace with slatted pergola
Living room with brown leather seating and full-height glass walls framing views to the garden and pool
Living room with brown leather seating and full-height glass walls framing views to the garden and pool

The ground level is where public life happens. A marble-topped kitchen island sits beneath a perforated screen that pulls daylight down from above, turning meal preparation into an event lit by a soft overhead glow. The dining area runs parallel, framed by floor-to-ceiling glass doors that slide open onto a covered poolside terrace fitted with a slatted timber pergola.

The living room pushes this threshold logic further. Brown leather seating faces a wall of glass that collapses the boundary between interior and garden. When the doors are open, the room effectively becomes an extension of the courtyard. It is a familiar tropical strategy, but executed here with enough restraint that the interior retains its own character rather than feeling like a covered patio.

Voids and Skylights: Connecting Without Compromising

Double-height interior space with circular skylight casting geometric shadows on white walls
Double-height interior space with circular skylight casting geometric shadows on white walls
Triple-height void with timber-railed bridges linking levels and windows puncturing white walls in morning light
Triple-height void with timber-railed bridges linking levels and windows puncturing white walls in morning light
Grey tiled feature wall anchoring an open stairwell lit by a perforated skylight above
Grey tiled feature wall anchoring an open stairwell lit by a perforated skylight above

The most architecturally interesting moves happen in section. A triple-height void punches through the center of the house, linked by timber-railed bridges that connect the upper levels. Natural light enters through a circular skylight at the top, casting geometric shadows that migrate across the white walls throughout the day. The stairwell features a grey tiled feature wall lit by a perforated ceiling panel, turning vertical circulation into a moment of visual drama rather than a utilitarian corridor.

These voids serve the project's core ambition. They allow light, air, and a sense of shared inhabitation to travel between floors without requiring open-plan proximity. You can hear your family; you can sense their presence through shifts in light and shadow. But your bedroom walls belong only to you. Story Architecture calls this an exploration of "density and hollowness," and it works because the voids are sized and positioned with real discipline, never so large that they sacrifice usable floor area.

Private Rooms: Separation by Design

Bedroom with vertical timber wall panels and integrated bedside ledge under soft overhead lighting
Bedroom with vertical timber wall panels and integrated bedside ledge under soft overhead lighting
White facade with vertical slatted fence and mature trees framing a planted rooftop terrace
White facade with vertical slatted fence and mature trees framing a planted rooftop terrace

Bedrooms occupy the upper wings, each opening in multiple directions to allow cross-ventilation and varied outlooks. No bedroom shares a wall with another, a deliberate choice for a household that spans grandparents, parents, and children. The material palette shifts here: vertical timber wall panels replace white stucco, and integrated bedside ledges eliminate the need for freestanding furniture, keeping the rooms calm and uncluttered.

Privacy in a multigenerational house is often treated as a planning afterthought, something achieved with longer corridors or thicker partitions. Here it is a structural premise. The L-shape itself creates separation, placing different generations on different arms of the plan while the pool courtyard below maintains the possibility of encounter.

Day to Night: How the House Transforms

Street facade showing white volumes with recessed balconies and residents on upper terraces
Street facade showing white volumes with recessed balconies and residents on upper terraces
Front elevation at dusk with illuminated interior courtyard and planted perimeter wall
Front elevation at dusk with illuminated interior courtyard and planted perimeter wall
Corner view at twilight showing stacked white volumes with framed tree planters and uplighting
Corner view at twilight showing stacked white volumes with framed tree planters and uplighting

At dusk the house reveals a second character. Uplighting washes the planted terraces, and the recessed balconies glow against the darkening sky. The vertical slatted fence, opaque by day, becomes a lantern screen at night, broadcasting warm light through its gaps. The transformation is not theatrical. It reads as a natural consequence of the house's deep openings and layered surfaces catching artificial light the way they catch sun during the day.

Rear elevation at dusk with illuminated terraces framing trees against the night sky
Rear elevation at dusk with illuminated terraces framing trees against the night sky
Street view of the white cubic volumes with planted terraces at twilight
Street view of the white cubic volumes with planted terraces at twilight

From the rear, the illuminated terraces frame their resident trees like individual vitrines, each planter box a small stage. It is the kind of nighttime presence that earns a building a second look from the street without resorting to accent lighting or facade projections.

Plans and Drawings

Ground floor plan drawing showing living spaces arranged around a central pool and courtyard
Ground floor plan drawing showing living spaces arranged around a central pool and courtyard
Second floor plan drawing showing bedroom wings and terrace spaces in an L-shaped configuration
Second floor plan drawing showing bedroom wings and terrace spaces in an L-shaped configuration
Third floor plan drawing showing upper level rooms and rooftop terrace areas
Third floor plan drawing showing upper level rooms and rooftop terrace areas
Master site plan drawing showing the building footprint with pool and surrounding landscape zones
Master site plan drawing showing the building footprint with pool and surrounding landscape zones
Section drawing revealing interior room arrangements across three levels with rooftop planters and a single figure
Section drawing revealing interior room arrangements across three levels with rooftop planters and a single figure
North elevation drawing showing stacked volumes with planted balconies and vertical slat screens in misty surroundings
North elevation drawing showing stacked volumes with planted balconies and vertical slat screens in misty surroundings
East elevation drawing showing white staggered volumes with scattered windows and rooftop terraces with trees
East elevation drawing showing white staggered volumes with scattered windows and rooftop terraces with trees
South elevation drawing showing cantilevered boxes with planted terraces and vertical column elements at ground level
South elevation drawing showing cantilevered boxes with planted terraces and vertical column elements at ground level
West elevation drawing showing offset white volumes with planted balconies and a horizontal podium base
West elevation drawing showing offset white volumes with planted balconies and a horizontal podium base

The floor plans confirm the L-shaped arrangement: living, dining, and kitchen cluster on the ground floor around the pool, while bedrooms distribute across the second and third levels with generous terraces. The section drawing is the most revealing document, showing how the central void threads light through three stories and how rooftop planters cap the composition with greenery. Elevations illustrate the calculated misalignment of volumes, each white box cantilevered or recessed just enough to create shadow lines and planting pockets.

Why This Project Matters

Villa Connect is not a radical house. It does not propose a new structural system or an experimental material palette. What it does, with considerable skill, is solve a social problem through architectural section. The multigenerational household requires coexistence without collision, shared ritual without forced intimacy. Story Architecture achieves this by making the void, not the room, the protagonist. Light wells, bridged atriums, and a central pool create the connective tissue that a corridor never could.

In a region where rapid urbanization often compresses family living into tight, stacked plans, this project argues for generosity of a specific kind: not more square meters, but better-calibrated ones. Every opening, every planted recess, every skylight serves a double purpose, climate and kinship simultaneously. That pragmatic layering is what makes the house worth studying, not its white surfaces or its pool, but the careful choreography of togetherness and solitude underneath.


Villa Connect by Story Architecture (Lead Architect: Nguyễn Kava). Binh Duong Province, Vietnam. 525 m². Completed 2022. Photography by Minq Bui.


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