studio2AM Packs a Full Material Palette into a 38-Square-Meter Tbilisi Rentalstudio2AM Packs a Full Material Palette into a 38-Square-Meter Tbilisi Rental

studio2AM Packs a Full Material Palette into a 38-Square-Meter Tbilisi Rental

UNI Editorial
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Rental apartments rarely receive the level of material attention that owner-occupied homes do. The logic is straightforward: landlords want durability and tenants want affordability, and somewhere in that negotiation, design ambition gets flattened into white walls and laminate flooring. studio2AM, working in Tbilisi's Mtatsminda district, refuses that premise entirely. Unit 20, a compact 38-square-meter apartment completed in 2025, treats the rental interior as a legitimate design problem, one that deserves the same rigor applied to any permanent dwelling.

What makes the project worth studying is not its size or its budget but its strategy: a controlled vocabulary of plywood, exposed brick, dark-stained timber, and a recurring green pigment that together produce an interior with genuine spatial depth. Every surface is working. Every joint is considered. The apartment belongs to a series of units that studio2AM has been developing in central Tbilisi, each one pushing the question of how much identity a small rental can hold without becoming precious or impractical.

Brick, Plywood, and a Living Room That Earns Its Keep

Open living space with exposed brick wall, plywood dining table and sliding glass partition under track lighting
Open living space with exposed brick wall, plywood dining table and sliding glass partition under track lighting
View across plywood platform bed to exposed brick feature wall with mounted white door panel
View across plywood platform bed to exposed brick feature wall with mounted white door panel
Interior bedroom with exposed brick wall, white security door, and full-height glazing on the right
Interior bedroom with exposed brick wall, white security door, and full-height glazing on the right

The main living space pivots around a single exposed brick wall that runs the length of the unit. It is not decorative. The brick reads as the building's original structure laid bare, a geological layer that anchors everything else in the room. Against it, studio2AM places plywood furniture, a sliding glass partition, and a white metal panel that once served as a security door, now repurposed as a compositional element. The effect is archaeological: old fabric meets new insertions, and neither pretends to be the other.

Track lighting runs along the ceiling, casting a warm, even wash that keeps the brick from feeling heavy. A paper pendant lamp introduces softness overhead, and the plywood dining table below it sits low enough to make the room feel taller than its actual dimensions. For 38 square meters, the proportions are remarkably comfortable.

Green as a Structural Color

Interior view of plywood cabinetry and white door with green-painted floor steps in soft daylight
Interior view of plywood cabinetry and white door with green-painted floor steps in soft daylight
Plywood workspace with green-painted table base and mirrored wardrobe reflecting the exposed brick wall behind
Plywood workspace with green-painted table base and mirrored wardrobe reflecting the exposed brick wall behind
Plywood sleeping platform with green base and paper lantern pendant in a white interior
Plywood sleeping platform with green base and paper lantern pendant in a white interior

studio2AM uses a specific green, muted, slightly dusty, applied to floor steps, table bases, and the sleeping platform. It is not an accent color. It functions more like a datum line, marking transitions between zones and grounding the lighter plywood surfaces above. When you see the green base of the workspace next to a mirrored wardrobe reflecting the brick behind, the palette snaps into focus: warm, cool, and vegetal all at once.

The sleeping platform, painted the same green, floats a paper lantern pendant above it. The combination is simple but precise. Green signals rest. Plywood signals utility. Brick signals permanence. The apartment never needs to explain itself because the materials are already doing the talking.

Joinery as Architecture

Built-in plywood storage wall with vertical slatted ventilation panel above hinged cabinet doors
Built-in plywood storage wall with vertical slatted ventilation panel above hinged cabinet doors
Kitchen cabinetry with dark wood veneer doors, blue knobs, and reflective backsplash under light wood upper units
Kitchen cabinetry with dark wood veneer doors, blue knobs, and reflective backsplash under light wood upper units
Narrow kitchen with dark wood base cabinets, black bar pulls, and open pull-out wire storage basket
Narrow kitchen with dark wood base cabinets, black bar pulls, and open pull-out wire storage basket

In a space this tight, cabinetry is not furniture. It is the architecture. The built-in plywood storage wall features vertical slatted ventilation panels, a detail that manages airflow while breaking the flatness of the surface. Hinged doors below offer deep storage without swinging into the circulation path. Every millimeter is accounted for.

The kitchen takes a different tonal approach. Dark wood veneer doors with blue ceramic knobs and black bar pulls create a moody corridor that contrasts sharply with the brightness of the living area. A pull-out wire basket and reflective backsplash add utilitarian texture. The shift from light plywood to dark stained timber is deliberate: it signals that you have moved from the public zone into the service spine of the apartment.

The Kitchen Corridor and Its Careful Darkness

Galley kitchen with dark stained wood cabinetry, black hardware, and natural daylight from adjacent room
Galley kitchen with dark stained wood cabinetry, black hardware, and natural daylight from adjacent room
Kitchen corridor looking toward bathroom with sink visible through open door and exposed ceiling beam above
Kitchen corridor looking toward bathroom with sink visible through open door and exposed ceiling beam above
Dark wood grain kitchen cabinetry with circular pulls beside a stainless steel appliance
Dark wood grain kitchen cabinetry with circular pulls beside a stainless steel appliance

The galley kitchen runs deep into the plan, ending at a view through to the bathroom where a sink is just visible beyond the threshold. An exposed ceiling beam overhead reinforces the longitudinal pull of the space. studio2AM allows the kitchen to be narrow and shadowed rather than fighting the constraint with mirrors or white paint. The dark stained cabinetry absorbs light and creates a sense of compression that makes the re-entry into the living room feel expansive by contrast.

Circular pulls on the cabinet doors add a tactile detail that carries through the rest of the apartment. It is a small consistency, but in a 38-square-meter unit, these repetitions build coherence fast.

Hardware and the Pleasure of Touch

Close-up of a circular blue-grey door knob mounted on a light wood door with exposed plywood edge
Close-up of a circular blue-grey door knob mounted on a light wood door with exposed plywood edge
Brushed steel door handle and lock set on a semicircular plate against a white door
Brushed steel door handle and lock set on a semicircular plate against a white door
Light wood bedside cabinet with semicircular pulls beneath a paper accordion pendant lamp
Light wood bedside cabinet with semicircular pulls beneath a paper accordion pendant lamp

Close-up photographs of the hardware reveal studio2AM's attention at the scale of the hand. A blue-grey circular doorknob sits flush against an exposed plywood edge. A brushed steel handle and lock set are mounted on a semicircular backplate, a detail that reads as both industrial and deliberate. The bedside cabinet uses semicircular pulls in the same family, linking bedroom and kitchen through geometry rather than material.

These are not expensive fittings. They are carefully chosen ones. The consistency across the apartment means that every time you open a door or pull a drawer, the project reasserts its identity. In rental design, where tenants rarely choose the hardware, this kind of coherence is an act of generosity.

Thresholds and the Doors Between

Doorway framing a dark green wood-grain door panel with circular metal hardware in white plaster opening
Doorway framing a dark green wood-grain door panel with circular metal hardware in white plaster opening
White door with circular hardware set within an exposed brick wall opening
White door with circular hardware set within an exposed brick wall opening
Light wood staircase with rounded handrail platform casting shadows on white walls in soft daylight
Light wood staircase with rounded handrail platform casting shadows on white walls in soft daylight

Doors in Unit 20 are not afterthoughts. A dark green wood-grain panel with circular metal hardware is framed by a white plaster opening, turning a doorway into a portrait. Elsewhere, a white door with the same circular hardware sits within an exposed brick surround, collapsing the distance between new insertion and old wall. A light wood staircase with a rounded handrail platform casts long afternoon shadows on white plaster, marking the transition between the apartment and the building's circulation.

studio2AM treats each threshold as a moment of spatial registration: a chance to frame a view, shift a material, or introduce a shadow. In a small apartment, these transitions are the architecture. Without them, 38 square meters would feel like one undifferentiated room.

Bathroom Details and Surface Texture

Grey wood veneer drawer fronts with black rounded pulls and stone countertop above
Grey wood veneer drawer fronts with black rounded pulls and stone countertop above
Living area showing exposed brick accent wall with white metal panel and paper pendant lamp overhead
Living area showing exposed brick accent wall with white metal panel and paper pendant lamp overhead

Grey wood veneer drawer fronts with black rounded pulls and a stone countertop above suggest the same calibrated restraint that governs the rest of the unit. The bathroom shares the apartment's material logic without replicating it exactly. Stone replaces plywood at the wet zone, but the hardware family stays consistent. It is a small move that keeps the apartment feeling like a single thought rather than a collection of rooms.

Plans and Drawings

Site plan drawing showing building footprint with surrounding paved and planted areas
Site plan drawing showing building footprint with surrounding paved and planted areas
Floor plan drawing showing interior layout with furniture, skylights, and material textures indicated
Floor plan drawing showing interior layout with furniture, skylights, and material textures indicated

The site plan places Unit 20 within a dense block in Mtatsminda, surrounded by paved and planted areas that suggest a typical Tbilisi courtyard condition. The floor plan reveals how studio2AM organized the 38 square meters: a sleeping zone and living area along the brick wall, a kitchen corridor running perpendicular, and a bathroom tucked at the deepest point of the plan. Skylights are indicated, which explains the even daylight visible in the interior photographs. Furniture is drawn in, confirming that the joinery was designed as part of the architecture, not selected afterward.

Why This Project Matters

Unit 20 matters because it rejects the assumption that rental interiors are disposable. studio2AM has built a small apartment with the care and material specificity that most practices reserve for private commissions. The result is a space that works harder than its square footage suggests, using color, joinery, and threshold design to produce genuine spatial variety within a single room's worth of floor area.

More broadly, the project contributes to a growing conversation about the design of short-term and rental housing in cities like Tbilisi, where tourism pressure and urban density are reshaping the residential market. If every rental unit in Mtatsminda received this level of thought, the neighborhood would be a better place to live, not just a better place to visit. That distinction is worth designing for.


Unit 20 by studio2AM, Tbilisi, Georgia. 38 m². Completed 2025. Photography by Grigory Sokolinsky.


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