Syria: Post-War Housing: Decentralized Green Compounds as a Framework for Return
Kirill Grebenshchikov proposes low-rise, green-roofed residential compounds outside damaged Syrian cities, phased to grow as displaced families return.
Most reconstruction proposals start where the damage is worst. Syria: Post-War Housing deliberately does not. Instead of rebuilding the shattered urban core first, it plants small, self-sufficient residential compounds outside damaged city centres. The aim is not a rapid return to former density. It is a stable place to land, one that can grow as fast as people come home. The real question the project asks is not how to replace what was lost, but what would convince a displaced family that coming back is worth it.
Designed by Kirill Grebenshchikov, the project responds to a conflict that has, since 2011, reduced entire neighbourhoods to rubble. It has pushed millions into neighbouring countries and temporary camps, where conditions remain precarious. Grebenshchikov moves the conversation away from emergency shelter and toward permanent, resilient housing. He treats architecture as a tool for spatial, social and psychological recovery, and he grounds that ambition in practical decisions about density, landscape and climate.
Stepped Green Roofs Set a Gentler Skyline

The aerial view sums up the project's temperament. Low, stepped volumes carry planted roofs above brick podiums. Timber stairs drop down to open lawns, and a mountain range closes the horizon. Nothing here tries to dominate. The low heights are a deliberate passive strategy, keeping buildings compact and close enough together to shade one another. That restraint also reads as reassurance: after years of living among collapsed towers, a skyline that steps down rather than up carries real emotional weight.
The roofs are where the proposal's thinking about landscape starts. Grebenshchikov frames green roofs and inverted roof gardens as infrastructure rather than decoration. They act as thermal buffers against harsh sun, they cut energy demand, and they give residents extra ground for gardening and gathering. Each building, in other words, returns part of its footprint to the community above it.
Starting Outside the Ruined Core

The single documentary image in the set does a lot of work. An adult and two children walk down a street of broken concrete between gutted apartment blocks. It explains, better than any diagram, why the masterplan steps away from the old centre. Rebuilding dense urban cores immediately means clearing rubble, repairing networks and negotiating complex ownership, all before a single family can move in. Placing compounds on the periphery lets reconstruction begin in small increments and takes pressure off damaged urban infrastructure.
The decentralised model is also a model of phasing. Construction can follow population return rates, economic capacity and material availability. This is a sober admission that post-war recovery rarely runs to a fixed schedule, and the plan is built to absorb that uncertainty rather than resist it.
Terraces, Water and Shade as a Climate Strategy


At ground level, the renders shift from strategy to daily life. A stone-framed apartment block with deep balconies looks onto terraced lawns where residents play guitar and cycle past. In the companion view, green-roofed blocks line paved paths edged with clipped shrub beds and narrow water channels, with mountain slopes behind. The landscaped terraces shield buildings from intense solar exposure. Shaded pedestrian routes make walking viable through the heat of the day, and the spacing between blocks keeps air moving.
What stands out is how little of this depends on machinery. Compact forms limit heat gain, roofs buffer temperature, and orientation and spacing handle ventilation. By keeping reliance on mechanical systems low, the proposal ties climate comfort directly to affordability and durability. That matters in a context where energy supply and maintenance budgets cannot be taken for granted.
A Site Plan That Fans Out from a Shared Square

The site plan shows the social logic behind the forms. Green-roofed apartment clusters, row houses and two-storey row houses, and detached single-family plots with private gardens fan out around a central square. Playgrounds and parking are woven between them. Each compound works as a micro-community, combining dwellings with public space, local employment areas and productive landscape. Courtyards act as social condensers, and pedestrian corridors tie the whole together.
The mix of typologies is the plan's most important political choice. Compact units for small households sit alongside larger homes for extended families, and higher-density apartments share the same square as detached houses. This guards against the segregation that so often follows reconstruction, when housing gets sorted by income or origin. The square at the centre is not just a formal anchor. It is the place where a scattered population can start to become neighbours again.
Why This Project Matters
Post-conflict housing is too often designed as a stopgap, with temporary structures that quietly become permanent without ever becoming home. Grebenshchikov rejects that pattern. He proposes permanent settlements that are modest in scale, generous in landscape and flexible in growth. By separating the first phase of return from the slower work of rebuilding city centres, the project offers a realistic sequence, not a single heroic gesture.
Its strength lies in how its strategies reinforce one another. Low heights deliver shade, green roofs deliver both comfort and community space, and mixed typologies deliver both inclusion and adaptability. The project still has to be tested against real land tenure, funding and construction capacity. Even so, it makes a persuasive case that dignified return begins with ordinary things: a shaded path, a shared garden, and a square where children can play.
View the Full Project
About the Designers
Designer: Kirill Grebenshchikov
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Project credits: Syria: Post-War Housing by Kirill Grebenshchikov.
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