EARTH MADE
rammed
The art of building with earth is an ancient one that has stood through the test of time. Archaeological evidence can date entire cities constructed of the earth back over 10,000 years - the City of Bam, Persia, Babylon, Yemen, and the great wall of china are the few examples.
Modern fashion of the 20th century created a break in the millennia-old developments – with earth being exploited and polluted with processed materials. Although earthen construction has been widely used for centuries, it has been subjected to criticism due to a series of misconceptions. It has been associated with the limited technique, last resort when no other building material is available and particularly vulnerable to seismic events. On the contrary, history has proved that earthen architecture has been adopted by choice.
Another major roadblock for practicing earth architecture is the misbelief that houses made of earth can attain a maximum height of 1-2 stories. The lack of possible vertical planning leads to overexploitation of land as a resource. However, Shibam, a city in Yemen debunks the above belief by building mud towers (100ft) built in the 16th century.
If humankind could attain this with limited technology and knowledge, why can’t we build it better today?
Despite the fact that mud has proven to be beneficial in various aspects, why is it that it’s not used more often? Is it the problem of the mud itself or is this merely a problem of the modern mind?
Popular Articles
Popular articles from the community
Extended Shell: Retrofitting Kolkata's Balconies as Living Urban Thresholds
A modular retrofit system recovers the social and environmental intelligence of Kolkata's historic verandas for contemporary Park Street residents.
Singing Woman: An Opera House That Performs Before the Curtain Rises
Ovidiu Cristian Pavel's conceptual opera house translates Estonia's choral identity into a sculpted waterfront landmark facing the Baltic Sea.
Faces of the Soviet Avant-Garde: Turning Moscow's Street Names into an Open-Air Museum
A network of sculptural installations across a Moscow residential district transforms forgotten architect names into spatial encounters with cultural memor
The Amber Palace Opera: A Geological Fiction Surfaces on Tallinn's Baltic Waterfront
Pierre Brillard reimagines a Baltic legend as a public landscape, opera house, and waterfront promenade rooted in Tallinn's coastal identity.
Similar Reads
You might also enjoy these articles
Shakur's House: Exposed Brick as an Interior Organiser in a 168 m² Mashhad Residence
Brick moves indoors in this Mashhad residence, where masonry walls, glass partitions and teal planes sequence a compact home without closing it off.
Day and Night Park: A Time-Based Urban Newsstand in Beijing
A temporary urban newsstand in Beijing blending travel, light, and reading through poetic colors, compact form, and community-focused design.
Modernist Patio Renovation in El Masnou, Barcelona by Oliver Segura Arquitectura + Cebrià Arquitectura
Modernist patio renovation blending tradition and innovation with a movable pool, leveled floors, and Catalan materials in El Masnou.
Alto Residencial Coop: Cooperative Housing Development in Santiago de Compostela by Carbajo Barrios Arquitectos
A linear cooperative housing complex blending white volumes and perforated metal façades, enhancing community living, natural light, privacy, and urban integration.
Comments (0)
Please login or sign up to add comments
No comments yet. Be the first to comment!