FASHION CONVENTION CENTER, PARIS. - WEAVE 2.0
Project description
The concept behind this project is to create a wide modular space using fabric as a playful new form of ornamentation that can be changed depending on the events hosted at the center. The design mostly consists on a quest of depth and perspective through the use of transparency and overlay of several types of materiality.
The building is split over 4 levels with the ground floor being the key space accomodating the community hall, the greenrooms and the fashion show space. The basement has a large capacity to host exhibitions and pop up events. The upper floors are dedicated to showrooms, additional rooms for smaller catwalks and offices.
Three iterations were made before finding the final outcome.
The inspiration came from a mix of modular ideas and the research of making a building that has a sence of grandeur and heritage to match with the rich history of the fashion industry. Watching fashion week shows also helped to design the most neutral and functional space to host a variety of shows and displays.
The program was condensed to a final with the main idea of having two wide key spaces and generating a logical program around them.
The building has a solid prefabricated concrete frame and is covered partly by a glass shell. The ornamentation is made out of reused fabric. This fabric can be changed thanks to the attachements on the pillars all around the building and allows the building to change appearance and design according to its events hosted at different times of the year.
Popular Articles
Popular articles from the community
Cloaked Colonization: A Mobile Underwater Habitat That Moves Like a Fish
Micah Abaya's shortlisted EHC Pacific entry reimagines ocean settlement as a dispersed network of self-sustaining architectural organisms.
Temporary Home for Dogs: A Reversed Zoo Rethinks Animal Shelter Architecture
In Bucharest, a sinuous corridor and freed landscape flip the logic of containment, designing a shelter that works to make itself unnecessary.
Opera on the Sea: Driftwood Logic Shapes a Timber Opera House on Estonia's Coast
Trevor Orgill's opera house translates the entangled drift of floating timber into a civic building where wood, water, and music converge.
Faces of the Soviet Avant-Garde: Turning Moscow's Street Names into an Open-Air Museum
A network of sculptural installations across a Moscow residential district transforms forgotten architect names into spatial encounters with cultural memor
Similar Reads
You might also enjoy these articles
The Rhythm of Seasons
A Farmers' Market Connecting Nature and the City
More Than a Building-Designing a Living System
More Than a Building-Designing a Living System
Base Beyond
DESERT COMPOUND ARID: TOURISM OF ABSENCE AND ABUNDANCE
Comments (0)
Please login or sign up to add comments
No comments yet. Be the first to comment!