Habitat Selenite: A Forest Wellness Lodge in QuebecHabitat Selenite: A Forest Wellness Lodge in Quebec

Habitat Selenite: A Forest Wellness Lodge in Quebec

UNI Editorial
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In Eastman, Quebec, deep in the Eastern Townships, a white cube sits in a forest clearing. Habitat Selenite, designed by NatureHumaine, is a 1,296 sq ft wellness lodge named after selenite, a translucent crystal associated with calm. The name is not decoration. It describes the building: a compact, luminous volume that catches forest light through skylights cut into an inverted roof.

The clients wanted a retreat that combined spa, sauna, and living space in a single accessible building. They wanted it to disappear into the forest in summer and glow from within in winter. NatureHumaine delivered both by wrapping the entire programme in a monochrome white shell with a roof that folds inward to pull light down into every room.

The Roof: Inverted Slopes and Skylights

Front facade at dusk: white cube with standing-seam metal roof, timber deck, gravel clearing, autumn forest behind
Front facade at dusk: white cube with standing-seam metal roof, timber deck, gravel clearing, autumn forest behind
Aerial: white metal roof among red and orange autumn canopy, Eastern Townships mountains in the distance
Aerial: white metal roof among red and orange autumn canopy, Eastern Townships mountains in the distance
Aerial plan view: white standing-seam roof with twin inverted slopes, square skylights, timber deck, forest clearing
Aerial plan view: white standing-seam roof with twin inverted slopes, square skylights, timber deck, forest clearing

The roof is the project. A conventional pitched roof rises to a ridge and sheds water outward. NatureHumaine inverted that: the roof slopes inward from the perimeter to a central valley, creating two low peaks at opposite corners and a valley between them. Square skylights are cut into the slopes, bringing zenithal light into the kitchen, corridor, and bathroom.

From outside, the twin peaks give the house a crystalline silhouette that changes with the angle of approach. From the air, the white standing-seam metal reads as a faceted mineral set into the autumn canopy. The inverted geometry is not ornamental. It reduces the building's volume at the centre, where height is least needed, and raises it at the perimeter, where the living spaces are.

Exterior detail: white metal cladding meeting roof, skylights on twin slopes, red autumn foliage behind
Exterior detail: white metal cladding meeting roof, skylights on twin slopes, red autumn foliage behind
Aerial roof detail: white standing-seam metal, square skylight casting shadow, fallen autumn leaves on panels
Aerial roof detail: white standing-seam metal, square skylight casting shadow, fallen autumn leaves on panels

In the Forest: Autumn and Dusk

Rear facade through trees: twin roof peaks, recessed entrance, ferns and fallen leaves, autumn colour
Rear facade through trees: twin roof peaks, recessed entrance, ferns and fallen leaves, autumn colour
Through the trees at dusk: white house with stone wall visible through glass, boulders, warm interior light
Through the trees at dusk: white house with stone wall visible through glass, boulders, warm interior light
Corner view: white metal cladding, cedar deck, twin roof slopes with skylights, autumn trees
Corner view: white metal cladding, cedar deck, twin roof slopes with skylights, autumn trees

The house sits on a gravel clearing with timber decks on two sides. The white cladding is vertical board-and-batten in metal, chosen because it weathers without maintenance and reflects the colour of the sky. In autumn, the white shell becomes a foil for the red and orange canopy. At dusk, it glows. The narrow horizontal windows at the base of the walls emit a warm band of light that floats the volume above the forest floor.

The approach is through trees. You see the house in fragments: a white corner, a lit window, a roof edge. The building reveals itself slowly, which is exactly right for a retreat. You decompress before you arrive.

Entry and Corridor

Entry corridor: white walls, polished concrete floor, living room with wood stove visible at the far end
Entry corridor: white walls, polished concrete floor, living room with wood stove visible at the far end
Living and dining: stone wall, oak dining table with chairs, sofa, full-height glass on two sides, forest view
Living and dining: stone wall, oak dining table with chairs, sofa, full-height glass on two sides, forest view

The front door opens into a narrow white corridor with polished concrete floors. The corridor is deliberately compressed: low ceiling, no windows, white on white. At the far end, the living room opens up with the stone wall, the wood stove, and full-height glass to the forest. The sequence is calibrated. You move from tight to open, from enclosed to transparent, from arrival to rest.

Living Room: Stone, Glass, Fire

Living room: natural stone feature wall, black wood stove, floor cushions, polished concrete floor, full-height glass to forest
Living room: natural stone feature wall, black wood stove, floor cushions, polished concrete floor, full-height glass to forest

The living room is the heart of the plan. A natural stone wall, rough and warm, runs the full width. A black wood stove sits in front of a white partition. Floor cushions replace a conventional sofa. The floor is polished concrete, continuous from the entry. Two walls are full-height glass, framing the forest on two sides. In autumn, the room is surrounded by colour. In winter, by snow. The stone wall anchors the space against all that transparency.

Kitchen: Skylight and Oak

Kitchen: double-height ceiling with square skylight, oak island, bar stools, pendant light, autumn trees through glass
Kitchen: double-height ceiling with square skylight, oak island, bar stools, pendant light, autumn trees through glass
Kitchen from dining: oak island and cabinets, sofa edge visible, skylight washing light down the white walls
Kitchen from dining: oak island and cabinets, sofa edge visible, skylight washing light down the white walls
Kitchen corridor: oak cabinets, built-in oven, narrow floor-to-ceiling window framing autumn trees
Kitchen corridor: oak cabinets, built-in oven, narrow floor-to-ceiling window framing autumn trees

The kitchen occupies the corner below one of the twin roof peaks. A square skylight opens the ceiling to the sky, and a pendant light hangs from the double-height void. The island and all cabinetry are in pale oak with brass handles. The backsplash is small beige square tiles. The material palette is deliberately quiet: oak, white, concrete, and the occasional espresso cup.

Kitchen detail: beige square tile backsplash, induction hob on oak counter, espresso cups
Kitchen detail: beige square tile backsplash, induction hob on oak counter, espresso cups
Cabinetry detail: oak panels with brass pull handles, narrow window to forest at left edge
Cabinetry detail: oak panels with brass pull handles, narrow window to forest at left edge

Bedrooms and Bathrooms

Bedroom corner: floor-to-ceiling window to autumn forest, TV on oak cabinet, white walls, angled ceiling
Bedroom corner: floor-to-ceiling window to autumn forest, TV on oak cabinet, white walls, angled ceiling
Pivot door: open between corridor and bedroom, white walls, timber slatted bench, forest light
Pivot door: open between corridor and bedroom, white walls, timber slatted bench, forest light
Bedroom through doorway: floor-to-ceiling glass, wooden stool, white bedding, conifer trunks outside
Bedroom through doorway: floor-to-ceiling glass, wooden stool, white bedding, conifer trunks outside

Two bedrooms sit in the northern corners. Both have floor-to-ceiling glass on the forest side and white walls on the corridor side. A pivot door connects one bedroom to the corridor, a detail that gives the threshold more presence than a standard hinged door. The furnishing is minimal: white bedding, a wooden stool, an oak cabinet. The forest is the decoration.

Bathroom: dark grey stone walls, white wall-mounted basin, oak vanity, angular ceiling line
Bathroom: dark grey stone walls, white wall-mounted basin, oak vanity, angular ceiling line

The bathroom is the moodiest room. Dark grey stone covers the walls. A white wall-mounted basin sits on an oak vanity. The ceiling angles down following the inverted roof slope, creating a compressed, cave-like quality. After the brightness of the living spaces, this room is a deliberate shift in register.

The Wellness Wing: Sauna, Spa, Salt Room

Sauna entry: cedar-clad walls and ceiling, floor-to-ceiling glass corner, timber deck, forest view beyond
Sauna entry: cedar-clad walls and ceiling, floor-to-ceiling glass corner, timber deck, forest view beyond

The eastern half of the plan is given over to wellness. A cedar-lined sauna opens through a floor-to-ceiling glass corner onto the forest. A cold bath, a shower-hammam, and a salt room complete the sequence. The spa sits on the terrace outside, visible on the floor plan as a freestanding element on the timber deck. The entire wellness circuit, from sauna to cold plunge to salt room, can be completed without leaving the building or without stepping outside, depending on the season and the mood.

The cedar cladding in the sauna is the only warm timber surface in the interior. Everything else is white, grey, oak, or stone. The cedar reads as an event: you enter a different material world when you enter the spa zone.

Skylights: Framing the Canopy

Skylight from below: square opening framing green tree canopy, white plastered shaft
Skylight from below: square opening framing green tree canopy, white plastered shaft
Skylight from below: bare winter branches through square opening, deep white shaft casting soft light
Skylight from below: bare winter branches through square opening, deep white shaft casting soft light

The skylights are square openings cut into the inverted roof slopes. From below, they frame the tree canopy in summer and bare branches in winter. The white plaster shafts act as light funnels, bouncing diffuse daylight deep into the plan. They eliminate the need for artificial light during the day and give each room its own piece of sky.

Night and Dusk

Night view: white cube glowing from within, tall windows, bare tree trunks, gravel clearing
Night view: white cube glowing from within, tall windows, bare tree trunks, gravel clearing
Dusk through autumn trees: white house with warm interior glow, timber deck corner, metal roof catching last light
Dusk through autumn trees: white house with warm interior glow, timber deck corner, metal roof catching last light
Night through forest: white house lit from within, boulder in foreground, autumn canopy above
Night through forest: white house lit from within, boulder in foreground, autumn canopy above

The best photographs are taken at dusk. The white shell catches the last grey light while the interior glows warm through the glass. The house becomes a lantern in the forest. At night, the narrow horizontal windows at the base emit a band of light that makes the volume appear to float. The twin roof peaks are silhouetted against the sky. This is a building designed to be seen from outside as much as lived in from within.

Bedroom window at dusk: warm interior light glowing through glass, cedar deck, gravel ground
Bedroom window at dusk: warm interior light glowing through glass, cedar deck, gravel ground
Dusk from hillside: white roof line with narrow horizontal light strip below, trees silhouetted against grey sky
Dusk from hillside: white roof line with narrow horizontal light strip below, trees silhouetted against grey sky
Dusk from forest floor: white metal roof above ferns and moss, autumn colour, overcast sky
Dusk from forest floor: white metal roof above ferns and moss, autumn colour, overcast sky

Drawings

Roof concept diagram: classic typology, inverted slopes from central axis, volume economy, skylights and interior heights
Roof concept diagram: classic typology, inverted slopes from central axis, volume economy, skylights and interior heights
Axonometric views: four orientations showing the compact square plan, twin roof slopes, deck, and entry positions
Axonometric views: four orientations showing the compact square plan, twin roof slopes, deck, and entry positions
Site plan: house footprint in forest clearing, driveway approach, dense tree canopy surrounding
Site plan: house footprint in forest clearing, driveway approach, dense tree canopy surrounding
Floor plan: entrance hall, two bedrooms, kitchen, living room, bathroom, laundry, salt room, cold bath, sauna, terrace, spa, shower-hammam, mechanical room
Floor plan: entrance hall, two bedrooms, kitchen, living room, bathroom, laundry, salt room, cold bath, sauna, terrace, spa, shower-hammam, mechanical room
Cross section: twin inverted roof peaks with skylights, interior rooms numbered, conifer trees behind
Cross section: twin inverted roof peaks with skylights, interior rooms numbered, conifer trees behind

The roof concept diagram shows the design process: from a classic hip roof, the slopes are inverted from a central axis, the volume is reduced for economy, and skylights are punched through for interior light and height. The axonometrics show all four orientations. The floor plan reveals a compact single-storey layout: entrance hall, two bedrooms, kitchen, living room, bathroom, laundry, salt room, cold bath, sauna, terrace, outdoor spa, shower-hammam, and mechanical room. The cross section shows the twin inverted peaks and how the skylights bring light into the deepest parts of the plan.

Why This Project Matters

Wellness retreats in the forest are not new. What makes Habitat Selenite worth studying is how much programme NatureHumaine fit into 1,296 square feet without the building feeling dense. Two bedrooms, a full kitchen, a living room, a sauna, a cold bath, a salt room, a hammam, and an outdoor spa, all on one level, all accessible, all lit from above. The inverted roof is the move that makes it work: it reduces volume where height is wasted and opens it where light is needed.

If you are designing a compact retreat, a wellness building, or any single-storey house that needs to feel larger than its footprint, this project shows how roof geometry and skylight placement can do the work that square footage cannot.


About the Studio

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Project credits: Habitat Selenite by NatureHumaine. Eastman, Quebec, Canada. Photographs: Raphael Thibodeau.

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