Joslyn Art Museum Expansion by Snøhetta and Alley Poyner Macchietto ArchitectureJoslyn Art Museum Expansion by Snøhetta and Alley Poyner Macchietto Architecture

Joslyn Art Museum Expansion by Snøhetta and Alley Poyner Macchietto Architecture

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UNI Editorial published Story under Architecture, Cultural Architecture on Jan 18, 2026

The Joslyn Art Museum, Omaha’s premier cultural landmark, reopens to the public in September 2024 following a transformative expansion, renovation, and site redesign. Spearheaded by Snøhetta in partnership with Alley Poyner Macchietto Architecture, this project redefines how visitors experience Nebraska’s largest art museum, blending historic Art Deco architecture with modern, light-filled design.

Rhonda & Howard Hawks Pavilion: A Light-Filled Cultural Hub

Central to the project is the new 42,000-square-foot Rhonda & Howard Hawks Pavilion, which introduces expansive galleries, community spaces, a Museum shop, and a striking new main entrance. Designed to maximize natural light and create immersive exhibition environments, the pavilion elevates the visitor experience while offering a 40% increase in display space to accommodate the Museum’s growing permanent collection.

Visitors enter beneath the cantilevered structure of the Hawks Pavilion into a soaring glass atrium, which seamlessly connects with the historic 1931 Joslyn Building and the 1994 Walter & Suzanne Scott Pavilion, Norman Foster’s first U.S. commission. A gently sloping central staircase enhances circulation and provides panoramic views of the Georgia Pink marble facades, celebrating the Museum’s architectural heritage while integrating contemporary design.

Renovation of Existing Buildings

The project meticulously renovates the Museum’s historic and mid-century structures, including:

  • Classrooms and lecture halls, modernized to support educational programming
  • Cafe refurbishment, with new daylighting windows opening onto the atrium garden
  • Office and studio upgrades, preserving functionality while enhancing user comfort
  • Scott Pavilion galleries, restored with a new gabled glass atrium canopy to optimize natural lighting

This sensitive approach ensures the Museum’s historic identity is honored and preserved, while embracing 21st-century design and operational efficiency.

Reimagined Landscape and Public Spaces

The expansion extends beyond the buildings, encompassing over three acres of revitalized gardens, outdoor spaces, and public art installations. The entry sequence has been carefully reoriented, aligning visitors with the heart of the expansion and the new main entrance.

The landscape strategy includes:

  • Sculpted garden terraces and outdoor rooms that enhance spatial connectivity
  • A redesigned arrival drive and raised gardens that create a clear, welcoming front
  • Integration of sculptural works, including Jesús Moroles’ The Omaha Riverscape, linking art with nature
  • Outdoor circulation paths that float above granite garden walls, referencing Prairie School architecture and the Great Plains horizon

Architectural Expression and Materials

The Hawks Pavilion floats gracefully above the site, with a transparent first floor that emphasizes openness and accessibility. Light-colored precast facade panels feature embedded pink aggregate, reflecting the existing Georgia Pink marble of the 1931 Joslyn Building. Horizontal lines in the facade mirror the monumental Grand Steps, creating a dialogue between old and new architecture.

The design balances weightless modernity with the museum’s historic presence, capturing the dynamic sky of the Great Plains while enhancing visitor orientation, connectivity, and inclusivity.

A Cultural Landmark for the Community

Strategically located near Downtown Omaha, Creighton University, and Central High School, the Joslyn Art Museum expansion strengthens its role as a cultural hub. By providing free public access, inclusive community spaces, and innovative design interventions, the Museum reinforces its vision as an accessible, engaging, and inspiring destination for all audiences.

All photographs are works of Nic Lehoux

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