KUMIHIMO: Japanese Silk Braiding by DOMYO by Rei Mitsui Architects

Rei Mitsui Architects has designed a refined and contemplative exhibition space for “Yushoku Kumihimo Domyo”, a traveling showcase at Japan House London, São Paulo, and Los Angeles. The project explores how to honor the delicate artistry of kumihimo, the traditional Japanese silk braiding craft, within large contemporary gallery environments.

A Space for Subtle Beauty

The curatorial challenge lay in creating an atmosphere where the intricacy of small, hand-braided silk works could be appreciated without distraction. Instead of opting for the sterile neutrality of a white cube, Rei Mitsui Architects envisioned a setting that feels alive yet restrained — a space akin to water: transparent, calm, and full of vitality.

The design draws inspiration from the concept of himorogi — a sacred Shintō boundary that welcomes the kami deities. Within this architectural boundary, the kumihimo braids stand as the sole focus, while supporting elements such as texts and panels remain outside. This gesture transforms the exhibition into a spiritual encounter, elevating the craft beyond ornament into cultural heritage.

Spatial Structure and Symbolism

The display frames are arranged in a grid of nine, referencing mandalas and the cyclical flow of time toward a sacred center. Each frame appears minimal, painted white, but carries layers of craftsmanship and meaning. Constructed in cedar wood and coated with gofun — a traditional powdered seashell finish — the surfaces achieve a grainy, translucent texture that resonates with the fine threads of silk braiding. Like o-shiroi, the white foundation used in Japanese makeup, the finish adds depth while allowing the warm cedar tones to subtly emerge beneath.

Earth, Pillars, and Continuity with Tradition

The frames are anchored by ceramic plinths, connecting the industrial white gallery with the strength and tactility of the earth. This design decision recalls the ancient hottate-bashira method of erecting pillars by embedding them directly into the soil. While the gallery setting does not allow literal excavation, the fired earthen blocks metaphorically root the exhibition in the history of Japanese architecture and craftsmanship.

An Architectural Tribute to Kumihimo

Through these thoughtful choices, Rei Mitsui Architects transforms the gallery into a space of quiet reverence, where tradition, spirituality, and materiality converge. The exhibition not only preserves the fragile beauty of kumihimo but also interprets it in an architectural language that bridges the ancient and contemporary, the ephemeral and enduring.

All Photographs are works of  Jérémie Souteyrat