123 House by Neil Cownie Architect: A Modern Integration of Heritage and Contemporary Design in Nedlands123 House by Neil Cownie Architect: A Modern Integration of Heritage and Contemporary Design in Nedlands

123 House by Neil Cownie Architect: A Modern Integration of Heritage and Contemporary Design in Nedlands

UNI Editorial
UNI Editorial published Story under Architecture, Housing on

A Blend of History and Innovation:

123 House in NedlandsNestled within a higher-density transitional zone between commercial buildings and larger residential sites, the 123 House is a striking example of modern architecture that harmonizes with its historical context. Designed by Neil Cownie Architect, this home not only honors the memory of its previous use as an Ampol service station, but also serves as a celebration of community connection and heritage preservation.

The architectural design of the house reflects its history, incorporating subtle references to the old Ampol logo through detailed concrete projections, and evoking the colors of petrol and engine oil via colored glass elements. The balustrades are inspired by the spokes of a car wheel, and the letterbox is whimsically designed to wobble with the movement of a vehicle suspension spring, offering a playful nod to the past. These thoughtful details ensure that the house is not just a structure but a storytelling medium that speaks to the local community.

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Architectural Design and Sustainability

The house’s orientation and roofscape have been carefully designed to maximize environmental benefits. The first-floor living and alfresco areas are positioned to take advantage of northern light, ensuring that the interiors benefit from optimal sunlight during the colder months. The strategic use of highlight windows throughout the house facilitates natural light and cross-ventilation, promoting a healthy indoor environment.

The building’s massing and articulation allow it to fit seamlessly into its surroundings, paying homage to the two-story walk-up apartment buildings characteristic of the 1930s post-depression period in Nedlands. These buildings often occupy prominent corner sites, and the 123 House reflects this style while introducing a modern, sculptural approach to massing and materials.

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Materiality and Cultural References

An exploration of Mediterranean influences can be seen in the home’s materials and textures. The use of glazed terracotta roof tiles ties the design to the neighboring houses, while giving the roof a sculptural quality that elevates it beyond mere functionality. Inside, the home features colorful terrazzo floor tiles that unify the spaces, balancing the vibrant colored glass windows and creating a tactile connection to the client’s Greek heritage.

The combination of sandy-colored brickwork and the natural finish of acoustic textured boards soften the space and provide a neutral backdrop for the colorful elements. These materials create a harmonious balance between tradition and contemporary design, allowing the house to feel both timeless and grounded.

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Living Spaces Designed for Community Interaction The first-floor alfresco area is positioned to offer both privacy and a connection to the community. Elevated above the busy street, it provides a sense of security while allowing the homeowners to engage with their neighbors. The use of graphic arch forms, which are a prominent feature of the suburb’s built environment, is carried through in elements such as the balustrades, ceiling profiles, and cabinetry. These arches contribute to the home’s fluid, dynamic aesthetic, enhancing both its functional and visual appeal.

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A True Expression of Architectural Craftsmanship The 123 House stands as a testament to Neil Cownie Architect's commitment to creating spaces that are both deeply connected to the local context and highly innovative in design. With an emphasis on sustainability, community, and cultural heritage, the house exemplifies how thoughtful architectural choices can enhance the lives of its inhabitants while contributing to the broader urban fabric.

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All Photographs are works of Traianos Pakioufakis, George Vavakis

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