House in Vinhedo By Apiacás ArquitetosHouse in Vinhedo By Apiacás Arquitetos

House in Vinhedo By Apiacás Arquitetos

UNI Editorial
UNI Editorial published Story under Architecture, Housing on

Brazilian residence that celebrates openness, flexibility, and the seamless fusion of architecture with nature. Designed in 2022 by Apiacás Arquitetos and led by architects Acácia Furuya, Anderson Freitas, and Pedro Barros, the 333 m² house is located in Vinhedo, Brazil, on a flat and generously sized plot. The project explores spatial continuity through a strong architectural gesture that dissolves traditional boundaries between inside and outside.

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Site Strategy and Concept

The flat terrain and regulatory limits on built area motivated a layout that maximizes the relationship between covered spaces and open-air environments. Rather than concentrating functions into a compact volume, the house is organized as a sequence of independent blocks connected by covered yet laterally open circulation paths. These passages act as transitional spaces, encouraging constant interaction with patios, gardens, and the pool.

From above, the residence reads as a large, irregular slab or canopy stretching across the site. This continuous roof unifies the different volumes while shaping courtyards, patios, and outdoor living areas. The canopy alternates between open and enclosed zones, orchestrating a fluid spatial experience throughout the house.

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Spatial Organization and Circulation

The architectural composition is defined by clear hierarchies of use. Facing the street, the first volume houses the garage, entrance hall, and sauna. This block is wrapped in wooden slatted panels with multiple opening mechanisms, including tilting garage gates, a pedestrian entrance, and pivoting panels facing the pool. When closed, these elements align to form a continuous, neutral wooden plane, reinforcing both visual unity and functional flexibility.

Perpendicular to this volume, the main living area opens fully toward the pool, embracing outdoor living as an extension of daily life. At the opposite end, the kitchen block connects to the more private bedroom sector through a protected circulation route, balancing openness with comfort and privacy.

The bedroom block is subtly rotated in relation to the other volumes to achieve the most favorable solar orientation, improving thermal comfort and natural lighting. This slight shift also generates intimate patios and cloisters, enhancing spatial richness and environmental quality.

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Materiality and Atmosphere

The construction is deliberately restrained, relying on three primary materials: concrete, glass, and wood. Exposed concrete provides structural clarity and durability, while large glass surfaces dissolve visual boundaries and bring in abundant daylight. Wood introduces warmth, texture, and a tactile counterpoint to the mineral elements.

A fourth material—vegetation—is integral to the architectural vision. Landscaping is expected to grow into the structure over time, softening edges and reinforcing the connection between built and unbuilt spaces. This approach reflects a broader exploration by the architects: creating dwellings that value outdoor spaces as much as interior rooms.

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Climate-Responsive Living

Rooted in the Brazilian climate, the design rejects the need for fully sealed, air-conditioned interiors. Instead, it proposes a naturally ventilated, semi-open dwelling, where shaded outdoor spaces, covered walkways, and patios play a central role in daily life. The house encourages seasonal adaptation, sensory engagement, and a closer relationship with the environment.

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Contemporary Brazilian Residential Architecture

House in Vinhedo exemplifies contemporary Brazilian residential design, where flexibility, climate responsiveness, and landscape integration define the living experience. Through its canopy-like structure, open circulation, and material honesty, the project creates a home that is both architectural and atmospheric—an evolving dialogue between architecture, nature, and everyday life.

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All the photographs are works of Alessandro Kusuki

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