Narxoz University Business School / AGP Architects
Adaptive reuse project restoring sawtooth roof, transforming Soviet building into flexible business school with modern spaces, daylight, and strong institutional identity.
Located in Almaty, Kazakhstan, the Narxoz University Business School by AGP Architects is a compelling example of adaptive reuse that transforms a neglected Soviet-era campus building into a contemporary educational environment. The project not only revitalizes an outdated structure but also redefines how executive education is spatially experienced, positioning the building as a new institutional landmark.

Originally constructed in 1978, the building had undergone multiple alterations over time, including the addition of an upper floor that disrupted its original proportions and compromised its structural integrity. As part of the renovation process, this later addition was dismantled, revealing the possibility of restoring the building’s original architectural identity.


One of the most significant design decisions was the reconstruction of the sawtooth roof, a defining feature that had long been concealed. Through archival research and on-site analysis, the architects reintroduced this geometry using modern structural systems. This move was both architectural and cultural, challenging the common practice of demolishing Soviet-era buildings and instead treating them as valuable resources for transformation.

To establish a clear identity for the Business School, a new volume was added to the existing structure. This extension houses the main entrance, reception, and a double-height lobby, along with a panoramic elevator that enhances circulation and accessibility. Acting as a central hub, this addition connects the building internally while also presenting a distinct public face to the campus.


Inside, the building is organized as a dynamic sequence of spaces that support a variety of educational and social functions. Classrooms equipped with modern technology are complemented by coworking areas, informal meeting zones, and coffee points. This diversity of spaces reflects contemporary approaches to learning, where collaboration and flexibility are as important as formal instruction.

Previously underutilized basement areas have been transformed into multifunctional halls for events and exhibitions. These spaces are now filled with natural light through the introduction of full-height glazing and a horizontal skylight integrated into the terrace above. This intervention not only improves usability but also enhances the overall spatial quality of the building.


Daylight plays a central role throughout the design. The restored sawtooth roof allows diffused natural light to penetrate deep into the interiors, creating a comfortable and productive learning environment. Open views and carefully considered acoustics further support concentration and interaction.

Material expression reinforces the building’s renewed identity. The exterior is clad in standing seam metal panels that extend seamlessly across both roof and façade, emphasizing the rhythm of the sawtooth form. A restrained palette of grey and white tones ensures harmony with the surrounding campus while allowing the building to stand out through its form and detailing.


Structurally and environmentally, the project responds to the challenges of Almaty’s seismic conditions. All interventions were carefully designed to meet strict safety requirements while maintaining the integrity of the existing structure. This balance between preservation and performance underscores the project’s technical sophistication.

Ultimately, the Narxoz Business School is more than a renovation, it is a redefinition of value in architecture. By uncovering and reinterpreting a hidden architectural layer, the project demonstrates how existing buildings can be adapted to meet contemporary needs while preserving cultural memory. It stands as a model for sustainable transformation, where history becomes the foundation for innovation and future growth.

All the Photographs are works of Damir Otegen
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