NEOSSPACE Weaves Rice Paper and Reclaimed Stone into a Mountain Inn near Yuyao's Ancient VillagesNEOSSPACE Weaves Rice Paper and Reclaimed Stone into a Mountain Inn near Yuyao's Ancient Villages

NEOSSPACE Weaves Rice Paper and Reclaimed Stone into a Mountain Inn near Yuyao's Ancient Villages

UNI logoUNI logo
UNI Editorial
UNI Editorial published Story under Hospitality Building, Architecture on

The valley around Siming Lake in Yuyao, China, is the kind of landscape that makes architects either very brave or very cautious. Bamboo forests crowd the slopes, a stream cuts through the valley floor, and the ancient village of Guanpei, which traces its origins to the Xining period of the Northern Song Dynasty, sits nearby as a reminder that people have been building here for nearly a thousand years. NEOSSPACE, led by architect Xi Shi, chose neither timidity nor spectacle. Sounder Inn, completed in 2023, is an 849 m² boutique hotel that slots into this terrain with a linear plan that follows the mountain contour, treating the site as a collaborator rather than a canvas.

What makes this project worth studying is the discipline of its material palette and the specificity of its cultural references. Rice paper, bamboo, local stone, and reclaimed antique elements from the surrounding region are not deployed as decoration but as a structural vocabulary that ties the building to its context. The undulating rice paper ceilings mimic the layered mountain silhouettes visible from every window. Recycled entrance doors, stone steps, pillar bases, and decorative bamboo fans carry the village's memory into a contemporary hospitality program. It is a building that earns its relationship to place rather than simply claiming one.

Reading the Site Through the Facade

Glass facade glowing at dusk through bamboo grove on a hillside
Glass facade glowing at dusk through bamboo grove on a hillside
Gabled timber-framed terrace with a person standing at the balcony rail overlooking forested mountains
Gabled timber-framed terrace with a person standing at the balcony rail overlooking forested mountains

Seen at dusk through the surrounding bamboo grove, Sounder Inn glows like a lantern set into the hillside. The glass facade is generous but not ostentatious: it reads as a membrane between interior warmth and the dense green darkness outside. The gabled timber frames that define the terraces borrow their pitch and rhythm from vernacular mountain structures, anchoring the silhouette in regional tradition without resorting to mimicry.

From the terrace vantage point, the relationship between building and forest becomes reciprocal. The structure frames views of the wooded hillside in deliberate compositions, while the surrounding vegetation screens the architecture from long-distance views. It is a building designed to disappear as much as it is designed to welcome.

The Arc-Roofed Hall as Social Core

Double-height lobby with bar counter beneath suspended timber screens and skylights above
Double-height lobby with bar counter beneath suspended timber screens and skylights above
Double-height living room with clerestory windows casting afternoon light across built-in bookshelves and a sectional sofa
Double-height living room with clerestory windows casting afternoon light across built-in bookshelves and a sectional sofa

The double-height lobby is the gravitational center of the public program, housing a bar counter beneath suspended timber screens and skylights that pull daylight deep into the plan. The overhead screens filter and fragment the light, producing a shifting pattern that changes through the day as the sun moves over the bamboo canopy above the skylights. It is a space engineered for atmosphere without relying on artificial mood lighting.

Adjacent to this, the living room functions as a leisure book bar with built-in shelving, a sectional sofa, and clerestory windows that cast afternoon light across the spines. NEOSSPACE integrates spaces of varying intimacy within a single interconnected volume: the bar invites social exchange, the book nook encourages solitude, and the transitional zones between them allow guests to calibrate their own level of engagement. The arc-roofed hall holds these different moods together without partitioning them into separate rooms.

Outdoor Rooms and the Bamboo Ceiling

Covered timber deck terrace with dining table under a woven bamboo ceiling opening to forest
Covered timber deck terrace with dining table under a woven bamboo ceiling opening to forest
Gabled outdoor terrace framing a view of the wooded hillside with a person at the bamboo fence
Gabled outdoor terrace framing a view of the wooded hillside with a person at the bamboo fence

Two terraces extend the interior program outdoors, each with a distinct character. The covered timber deck features a woven bamboo ceiling that transforms the space beneath into something closer to a pavilion than a porch. Dried bamboo poles are assembled into an intricate canopy that softens overhead views while permitting air movement, a passive strategy that keeps the space comfortable in the humid valley climate without mechanical intervention.

The second terrace, defined by its gabled frame and bamboo fence railing, operates as a lookout. Standing at the rail, a guest faces nothing but wooded hillside. The detailing here is restrained: the bamboo fencing recalls traditional village construction, and the timber structure is honest about its joinery. These outdoor rooms are not afterthoughts appended to the plan. They are essential to the spatial sequence, transitional zones that slow down the passage between conditioned interior and wild landscape.

Guest Rooms: Stone, Light, and the Semi-Enclosed Garden

Bedroom with platform bed framed by irregular stone wall and recessed ceiling lighting
Bedroom with platform bed framed by irregular stone wall and recessed ceiling lighting
Tatami seating nook with low table and cushions facing a picture window overlooking terraced gardens and forest
Tatami seating nook with low table and cushions facing a picture window overlooking terraced gardens and forest

The guest rooms are arranged linearly along the mountain forest beside the stream, and each one is oriented to frame views of both water and mountains. The bedroom shown here pairs a platform bed with an irregular stone wall that reads as a geological fragment brought indoors. The recessed ceiling lighting washes the stone surface without competing with it, letting the material's texture do the work. It is the kind of restraint that requires confidence: the stone is enough.

The tatami seating nook introduces a different register of intimacy. A low table and floor cushions face a picture window overlooking terraced gardens and the forest beyond. The semi-enclosed garden concept that NEOSSPACE applies to the guest room zone, with open wardrobes, washbasins, and bathrooms arranged to blur the threshold between indoor and outdoor, reaches its clearest expression in moments like this. The room does not contain a view; it opens onto one.

Reclaimed antique elements, including bedside pillar bases and long tables, are threaded through the guest rooms as functional objects rather than museum pieces. These artifacts connect each room to the material history of Guanpei village, giving guests something more than aesthetic novelty: a tactile link to the Confucian cultural heritage of the Yuyao region.

Why This Project Matters

Rural hospitality architecture in China has too often fallen into one of two traps: either a nostalgic reconstruction of a vernacular that no longer serves contemporary needs, or a sleek urban transplant that ignores the specificity of its site. Sounder Inn avoids both by treating local materials and cultural artifacts as active design elements rather than ornamental references. The rice paper ceilings that evoke layered mountain silhouettes, the handmade lanterns in the stairwell, the recycled entrance doors, these are not gestures toward locality. They are the building's actual substance.

NEOSSPACE demonstrates here that sustainability and cultural continuity are not separate agendas. By sourcing stone locally, repurposing antique elements, and using bamboo and woven materials drawn from the immediate landscape, the project achieves a low material footprint while simultaneously preserving craft traditions that might otherwise erode. At 849 m², Sounder Inn is a small project. Its argument, that the most compelling hospitality architecture is the kind that belongs where it stands, is not.


Sounder Inn by NEOSSPACE, Yuyao, China. 849 m². Completed 2023. Lead architect: Xi Shi. Design team: Xi Shi, Vince Yu, Xiaoya Wang, Hao Cheng, Jiaqi Huang. Photography by Bian Lin.


About the Studio

Share Your Own Work on uni.xyz

If projects like this are the kind of work you want to make, uni.xyz is a place to publish your own, find collaborators, and enter design competitions.

UNI logoUNI logo
UNI Editorial

UNI Editorial

Where architecture meets innovation, through curated news, insights, and reviews from around the globe.

Share your ideas with the world

Share your ideas with the world

Write about your design process, research, or opinions. Your voice matters in the architecture community.

Comments (0)

No comments yet. Be the first to comment!

Similar Reads

You might also enjoy these articles

publishedStory1 month ago
Hodi-Mandai Geram
publishedStory4 months ago
Olio Towers: A Mid-Rise for Performers That Fuses Housing, Rehearsal, and Stage
publishedStory4 months ago
Oasis: Modular Green Housing Carved into Dhaka's Urban Fabric
publishedStory4 months ago
Black Hole: A Floating Megastructure for the Post-Physical Era

Explore Hospitality Building Competitions

Discover active competitions in this discipline