Hummingbird House: A Mexico City Garden PavilionHummingbird House: A Mexico City Garden Pavilion

Hummingbird House: A Mexico City Garden Pavilion

UNI Editorial
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Mexico City has more good single-family houses per square kilometre than almost any city in the world. The local material palette, the climate, the gardens, and a long line of architects who treat houses as serious work all contribute to this. Hummingbird House, a 376 square metre residence completed in 2025 by Estudio Libre MX in the south of Mexico City, is a small but confident addition to that lineage.

The brief was clear and unusual: design a house whose primary purpose is hosting. Family gatherings, events, recreation, the kind of programme that most residential architects treat as an afterthought once the bedrooms are sorted. Here the architects, Andrés Berjón and Diego Rodriguez, made hosting the structure of the project, with a swimming lane running through the centre of the plan as the main axis.

A House Around a Pool

Long lap pool running between planted beds toward the upper terrace and main house
Long lap pool running between planted beds toward the upper terrace and main house
The pavilion seen from the garden with linen curtains framing the dining area
The pavilion seen from the garden with linen curtains framing the dining area
View of the open pavilion across the wild planted garden with curtains drawn back
View of the open pavilion across the wild planted garden with curtains drawn back

The lap pool is the spatial spine of the project. Everything else is organised around it. The main house sits at one end. A separate covered pavilion with the kitchen, dining, and lounge sits at the other. Between them, the pool runs the length of a planted garden filled with native species. You move through the property the way you would move through a small Mexican plaza, with the water as the centre and the rooms arranged around it.

This kind of plan is harder than it looks. The pool can easily become a feature object, photographed but not used. Here it is used. The geometry is tight, the proportions are correct for swimming rather than display, and the surrounding planting puts you at eye level with the water rather than above it.

The Pavilion as Living Room

Open dining and kitchen pavilion with a round table, pendant lights and a timber ceiling
Open dining and kitchen pavilion with a round table, pendant lights and a timber ceiling
Hanging planter on chains beside the timber-clad pavilion volume above a pebble bed
Hanging planter on chains beside the timber-clad pavilion volume above a pebble bed

The covered pavilion that holds the kitchen, dining, and lounge is the project's most ambitious move. It is essentially an outdoor room with a concrete slab roof, a timber-lined ceiling, and full-height linen curtains that can be drawn or pulled back depending on the weather and the event. There is no wall on the garden side, just the curtains.

This is a Mexico City answer to the indoor-outdoor question. The climate is mild enough that an open pavilion is comfortable nearly all year. Adding curtains rather than glass means the pavilion never feels enclosed, even when the curtains are drawn. The interior, designed by Departamento de Interiores, is restrained: a round timber dining table, woven chairs, a long bar across the back, and pendant lights in clusters above the table.

The Material Palette: Stone, Wood, and Volcanic Tile

Red volcanic stone tile wall behind a planted bed with bird-of-paradise and grasses
Red volcanic stone tile wall behind a planted bed with bird-of-paradise and grasses
Stone-clad wall with a row of cactus pots above and a planted edge below
Stone-clad wall with a row of cactus pots above and a planted edge below
Narrow side passage with stone-clad wall and a stone-floor path leading to the rear
Narrow side passage with stone-clad wall and a stone-floor path leading to the rear

The material palette is the project's other distinctive feature. The walls combine three things: a dark grey volcanic stone laid in irregular pieces, a deep red volcanic tile in small mosaic squares, and warm timber boarding. Each material does a specific job. The stone is structural and grounding. The red tile is decorative but quietly so, used in panels rather than as a feature wall. The timber softens the transitions and dominates the pavilion ceiling.

This is a Mexican palette, and it is consistent with the work of many studios in the region. What makes it work here is the restraint. The architects use each material for one job and then stop. Nothing is repeated decoratively. Nothing tries to be more than it is.

Garden as Architecture

Concrete and timber pavilion volume seen from the entrance courtyard with a person and a dog on the platform
Concrete and timber pavilion volume seen from the entrance courtyard with a person and a dog on the platform
Stone stair with a small water cascade beside it and an exposed timber soffit above
Stone stair with a small water cascade beside it and an exposed timber soffit above

Landscape design by Tepetl treats the garden as a continuation of the building. The planting is dense, native, slightly wild, and full of species that flower and attract birds. The name of the house is not accidental: hummingbirds are common in this part of Mexico City, and the garden is designed to keep them around.

A small water cascade tucked next to the stone stair adds the kind of sound that masks city noise without being precious about it. Walking the photographs, you can almost hear the water and the birds. That is the atmosphere the architects designed for.

Plans and Sections

Hummingbird House floor plans
Hummingbird House floor plans
Hummingbird House sections
Hummingbird House sections

The plans show how the swimming lane organises everything. The pavilion sits at one end, the main house at the other, and the planted bands run along both sides of the pool. The sections clarify how the level changes are handled and how the open pavilion roof connects to the rest of the structure.

Why This Project Matters

Most large houses fail because they try to do too many things and end up doing none of them well. Hummingbird House works because it is honest about what it is: a place to gather, with a swimming lane and a covered pavilion that make gathering easy. Everything else (the bedrooms, the bathrooms, the service spaces) is designed to support that primary use rather than compete with it.

The lessons are transferable to anyone designing a house with a strong programmatic anchor. Decide what the house is really for. Build the plan around that. Use materials that age in the local climate. Treat the garden as part of the architecture, not as a finishing layer. Estudio Libre MX has put together a project that does all four things clearly, and the photographs by Luis Young show the result at its best.


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Project credits: Hummingbird House by Estudio Libre MX. Mexico City, Mexico. 376 m². Completed 2025. Lead architects: Andrés Berjón, Diego Rodriguez. Interior design: Departamento de Interiores. Landscape: Tepetl. Photographs: Luis Young.

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