Who wrote "THE LOOM ATRIUM"?

This article was written by Ümmiye Kalkan and published on uni.xyz, a platform for design professionals and creative thinkers.

What is "THE LOOM ATRIUM" about?

This article covers topics related to Courtyard, Sunken Courtyard, Architecture, Central Courtyard. A SILK WEAVING CENTER THAT CLOSES THE BORDERS, OPERATES A COURTYARD INSIDE AND UNITIZES EVERYONE IN THAT COURTYARD.

THE LOOM ATRIUM

A SILK WEAVING CENTER THAT CLOSES THE BORDERS, OPERATES A COURTYARD INSIDE AND UNITIZES EVERYONE IN THAT COURTYARD.

5 min read·19 reads

This journal is associated with THE LOOM ATRIUM project

Our project is situated in the Kancheepuram region of India. Given that the surrounding environment does not naturally support the structure, we designed it as a self-sustaining, inward-focused space enclosed within defined boundaries. This space serves both craftsmen and producers, offering all necessary facilities internally. Sliding panel entrances allow natural light to enter the building while enabling those in the courtyard to observe the internal operations seamlessly.

The courtyard features pools with small islands designed primarily as resting and seating areas. These islands also support the adjacent enclosed spaces as needed. To address water requirements, we have implemented a rainwater harvesting system that collects, purifies, and supplies the pools. This system promotes sustainability and resource efficiency.

The courtyard connects all parts of the facility. Visitors primarily utilize the single-story block, while producers prefer the two-story block. The building is constructed of reinforced concrete, featuring a roof that slopes in one direction and is made of wood. Wooden pergolas provide shade over the courtyard, enhancing its ambiance. The entrance showcases a concrete structure that serves as an inviting threshold for visitors. The rear section of the production block includes an open-air dyeing area equipped with the necessary tools and materials.

During the design process, we conducted an in-depth study of various weaving center projects and analyzed the lifecycle of silk in India—from production and transportation to storage and weaving. We also examined the specifications and dimensions of looms. To visualize this process, we created diagrams that outline the stages of silk production. From the outset, our goal was to design a self-sufficient structure that operates efficiently within its boundaries. Local materials from India to honor the cultural and environmental context.

To further emphasize the connection between artisans and visitors, we incorporated fabrics produced in the facility into the front façade display. This design choice ensures that visitors immediately witness the results of the craftsmanship upon entering, setting the stage for their experience inside.