Converter: A Community Center Rooted in Therapeutic Architecture

Project by Margarita Zykova

Shortlisted entry of Live Laugh Love 2020

In a world increasingly aware of the importance of mental health and inclusivity, Converter emerges as a thoughtful exploration in therapeutic architecture. Designed by Margarita Zykova, this project
"Converter" redefines the role of community centers as not just physical shelters, but as transformative spaces that heal, integrate, and unite. Shortlisted in the Live Laugh Love 2020 competition, the project draws on local heritage, layered functions, and sensitive spatial planning to become a true sanctuary for the socially marginalized.

At its core, Converter addresses the pressing issue of discrimination and social exclusion, particularly for individuals facing mental health challenges. The concept proposes a communal space that promotes mutual support and understanding. Through regular activities and structured routines, it fosters mental balance and emotional security. This transformation—from isolated to connected, from misunderstood to integrated—is the very essence of the architectural narrative.

The project is defined by two "conversion" possibilities: for people with mental disorders, and for mentally healthy individuals. Both groups experience tailored phases of interaction—starting from introspection and guided therapy, to independent cohabitation, and finally, active collaboration within the community. This phased design approach exemplifies how therapeutic architecture can facilitate not just physical, but emotional rehabilitation.

Duality in Design

The building's two-layered form embodies a dialogue between the old and the new. It merges traditional Scottish stone architecture with a modern glass structure. The rough-hewn stone symbolizes mental struggle and disorder—solid, heavy, enclosed. In contrast, the transparent glass form represents social openness and recovery. This material juxtaposition serves both aesthetic and symbolic purposes, reinforcing the project's therapeutic intent.

Juror Eleena Jamil appreciated this sensitivity, stating: “I like the use of vernacular forms and materials in the making of a contextual building - they suggest familiarity and friendliness.”

Fellow juror Juanjo Otero added: “Project with a materiality very respectful of the tradition of the place, and that allows the Center-City hybridization.”

Functional Flow for Healing

The spatial organization of Converter is meticulous and user-oriented. It includes designated spaces for:

• Psychotherapist consultations
• Workspaces for mental health professionals
• Volunteer areas and event zones
• A concert hall and costume atelier for expressive therapy
• Cafés, libraries, and recreation rooms that encourage casual social interaction

The ground floor features a circular entrance hall that connects to an audience hall, a winter garden, and game areas. The upper level accommodates private offices and therapy rooms, while inclusive features like lifts and accessible toilets make the space truly universal.

Each room is part of a broader narrative—from "Conversion Start" to "End"—a spatial metaphor for personal progress.

Architecture as a Social Catalyst

Converter does more than house programs. It inspires change. Its form, materiality, and sequence of spaces guide users through an architectural journey of transformation. Whether it's organizing charitable concerts, offering professional therapy, or simply creating safe spaces to converse, Converter stands as a model of therapeutic architecture in action.

By prioritizing mental health, social inclusion, and cultural context, Margarita Zykova's design reflects a powerful shift in how architecture can serve humanity. It converts not just buildings, but lives.