Praeger Richter Architekten Builds a Berlin Housing Block Designed for Its Own DisassemblyPraeger Richter Architekten Builds a Berlin Housing Block Designed for Its Own Disassembly

Praeger Richter Architekten Builds a Berlin Housing Block Designed for Its Own Disassembly

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Most residential buildings are designed with a single lifespan in mind. Praeger Richter Architekten's Fit-Out House, known locally as Ausbauhaus Südkreuz, was designed with several. Completed in 2022 on a former municipal recycling yard in Berlin-Schöneberg, the seven-storey collective housing project treats every material choice as a contract with the future: concrete where permanence is needed, timber where change is expected, and composites nowhere at all. The building's components are screwed, laid, and plugged rather than glued or welded, so that walls, floors, and even the facade can be dismantled, reused, or reconfigured without generating demolition waste.

What makes the project genuinely interesting is not just its environmental ambition but how that ambition shapes the experience of living in it. The 2,200-square-metre building holds 13 owner-occupied flats, 3 subsidized rental apartments, and 2 neighbourhood-oriented spaces across units ranging from 38 to 130 square metres. Won through Berlin's "Schöneberger Linse" concept competition in 2019, the project is part of a new generation of Baugruppen developments where the residents are co-clients, and the architecture must answer to both collective ideals and individual domestic life. The result is a building that feels deliberate in every joint, honest about its materials, and quietly radical in its refusal to treat housing as disposable.

A Ground Floor That Declares Intent

Concrete entrance hall with pink resin floor and circular ceiling lights facing the street glazing
Concrete entrance hall with pink resin floor and circular ceiling lights facing the street glazing
Concrete staircase with red metal balustrade rising from the pink resin floor of the entrance hall
Concrete staircase with red metal balustrade rising from the pink resin floor of the entrance hall

The entrance hall sets the tone immediately. Exposed concrete surfaces meet a pink resin floor that punches colour into what could otherwise read as raw austerity. Circular ceiling lights punctuate the slab above, and generous street-facing glazing pulls daylight deep into the ground level. The 4.5-metre ceiling height here is no accident: the ground floor is programmed for community activities, cultural exchange, and start-up incubation, not private apartments. It belongs to the neighbourhood as much as to the residents.

The central staircase, framed by a red metal balustrade against the same pink floor, reinforces the idea that the shared circulation is not leftover space but a designed social infrastructure. The concrete core handles fire protection and structural loads, freeing the upper floors from columns and giving units the flexibility to be reconfigured over decades. It is a smart distribution of permanence: the skeleton is fixed, the flesh is loose.

Plywood, Clay, and the Art of Visible Assembly

Open-plan living area with pink kitchen cabinets and plywood walls under a concrete ceiling
Open-plan living area with pink kitchen cabinets and plywood walls under a concrete ceiling
Plywood partition wall separating the living room from the bedroom doorway with concrete ceiling above
Plywood partition wall separating the living room from the bedroom doorway with concrete ceiling above

Inside the apartments, the material logic becomes tactile. Plywood partition walls, timber stud frames, and clay panels replace conventional drywall. Surfaces are left untreated or finished with healthy-living stains, so the building reads as honestly indoors as it does structurally. Pink kitchen cabinets in the open-plan living area shown here are a resident's own choice, layered onto the architect's neutral shell. That layering is the whole point: the fit-out is the occupant's territory, while the structure remains the building's.

The partition between living room and bedroom is a plywood wall that could, in theory, be unscrewed and relocated. Floors use a dry-mounted system with unbound wood-chip levelling fill, meaning no wet trades, no chemical adhesives, and no irreversible decisions. Every component has been documented in a BIM model so that future owners or recyclers know exactly what is where and how to take it apart. It is an architecture of legibility, not just sustainability.

Living Behind Larch and Mesh

Small sitting room with plywood walls and glazed balcony doors behind pink mesh curtains
Small sitting room with plywood walls and glazed balcony doors behind pink mesh curtains
Open-plan living area with pink kitchen cabinets and plywood walls under a concrete ceiling
Open-plan living area with pink kitchen cabinets and plywood walls under a concrete ceiling

The apartments' relationship to the exterior is mediated through full-width French balconies, wooden French windows, and, in at least one unit, pink mesh curtains that filter the Schöneberg light into something warm and diffuse. The rear-ventilated facade, built from a demountable timber framework with wood-fibre insulation and pre-aged larch cladding, is designed to be replaced panel by panel as boards weather or standards change. Bird breeding boxes are integrated directly into this system, turning a technical assembly into an ecological one.

The site sits between the Ringbahn railway line and Sachsendamm, a context that demanded serious acoustic performance from those wooden windows. Achieving KfW 40 energy standard with biogas heating on a tight 550-square-metre plot, while also maintaining a green roof for beekeeping, suggests a design team that treated constraints as productive rather than limiting.

Plans and Drawings

Section drawing showing the multi-storey residential building with central scissor stair and flanking trees
Section drawing showing the multi-storey residential building with central scissor stair and flanking trees
Concrete entrance hall with pink resin floor and circular ceiling lights facing the street glazing
Concrete entrance hall with pink resin floor and circular ceiling lights facing the street glazing

The section drawing reveals the building's organizational clarity. A central scissor stair serves two or four units per floor across seven levels, with flanking trees suggesting the landscape strategy at ground level. The top floor pulls back to accommodate a small guest flat and shared roof terrace, giving the collective a space that is neither fully private nor fully public. At a construction cost of 2,600 euros per square metre, the project sits within a range that makes its material ambitions replicable rather than exceptional.

Why This Project Matters

The Fit-Out House matters because it treats circularity not as a certification checkbox but as a design discipline that touches everything from the floor fill to the facade brackets. In a city where Baugruppen have long been testing alternatives to speculative development, Praeger Richter Architekten have pushed the model further by asking what happens after the first generation of residents moves on. The answer, built into every reversible connection and documented in a comprehensive BIM model, is that the building adapts rather than demolishes.

It also demonstrates that cradle-to-cradle principles do not require sacrificing domestic atmosphere. The interiors here are warm, colourful, and personal, precisely because the architecture gives residents a legible kit of parts to inhabit rather than a finished product to accept. At 2,200 square metres on a dense urban infill site, it is proof that circular construction works at the scale of the apartment block, not just the pavilion. Berlin's housing crisis needs more buildings like this: buildings that are planned to outlast their first brief.


Fit-Out House (Ausbauhaus Südkreuz) by Praeger Richter Architekten. Gotenstraße 45, Berlin-Schöneberg, Germany. 2,200 m². Completed 2022. Photography by Lindsay Webb and Andreas Friedel.


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